Bluhauz
Bluhauz (Bluhauz Music). Review by Carl F. Gauze.
Bluhauz (Bluhauz Music). Review by Carl F. Gauze.
Origins, Vol. 2 (Entertainment One (eOne)). Review by Christopher Long.
Oozing the authentic spirit of rock and roll, the LA-based combo, Dirty Honey, proved to be the real deal when they hit the stage recently at Orlando’s House of Blues.
Rise (Cleopatra Records). Review by Christopher Long.
An intimate portrait of Steven Tyler as he embarks on a country-flavoured solo career.
The Way Life Goes (Deluxe Edition) (Cleopatra Records). Review by Joe Frietze.
Skeletons. Review by Joe Frietze.
Once upon a time, long ago, KISS was a rock band. This story recounts how four unlikely guys from New York first came together during the early 1970s and literally changed the face of rock and roll.
Yellow & Green (Relapse / Release. Review by Carl F Gauze.
Banga (Columbia). Review by Carl F Gauze.
Live at the Roseland Ballroom, NYC (Eagle Records). Review by Christopher Long.
Reimaginator. Review by Joe Frietze.
Orlando, Florida’s Megaphone wraps up an amazing year with a high energy hometown show.
Have Guitar, Will Travel (Roman Records). Review by Christopher Long.
Aerosmith’s legendary co-founder, Joe Perry , delivered a set of gutsy, hard driving rock at Orlando’s House of Blues.
This collection of anecdotes and reveries of the infamous New York Dolls from their bassist, Arthur “Killer” Kane, has Carl F Gauze thinking better of getting the old band back together.
There’s more to Hanson than “MmmBop,” and the all-grown-up band proves it at Chicago’s House of Blues. Cindy Barrymore says the brothers’ cuteness has worn off. You be the judge.
Long Weekend (North Street). Review by Jen Cray.
Gail Worley caught up with talkative drummer Chris Adler in Florida the day after their last show of this summer’s Ozzfest tour and got some engaging insight into the very heavy metal world of Lamb of God.
Hellbound and Heartless (Hellcat). Review by Jen Cray.
Blood, guts, and kicking butt in France — it’s the age-old story of Shakespeare. Carl F. Gauze once again enjoys the salacious violence and complicated plot points of Henry V, in the moody dark of Orlando Shakes.
Infidelity, agoraphobia and Ice Capades. Carl F. Gauze attempts to find an answer to the question “How Florida can you get?” in The Great American Trailer Park Musical at Theater West End.
Jeremy Glazier catches Ian Noe at the Rust Belt, where they discuss putting Between the Country together, some of the influences that affect Noe’s songwriting, and his dislike of EPs.
Christopher Long scores an absolutely ravaged vinyl copy of the 1977 self-titled debut from Karla Bonoff at a Florida flea market — for FREE!
Carl F. Gauze reviews this comprehensive look at the early works of Muppets creator Jim Henson by Craig Shemin.
Robert Pomeroy tracks down a long lost album on the web and catches up with two other bands on Facebook.
On today’s New Music Now, Judy Craddock talks to our musical guest, Nora O’Connor, about her solo album, My Heart, and the captivating new music she’s listening to right now. Tune in for great music, and more ’90s references than you can shake a scrunchie at.
Writer Kazuo Kasahara and director Kôsaku Yamashita transcend genre conventions to create the memorable film Big Time Gambling Boss. Phil Bailey reviews.
Frank Bello’s new memoir Fathers, Brothers, and Sons: Surviving Anguish, Abandonment, and Anthrax takes us from a New York childhood, to Anthrax stadium tours, to fatherhood with the charming informality of a conversation with an old friend. Then I’m Gone, Bello’s first solo EP, provides accompaniment. Joe Frietze reviews.
Savvy shopper Christopher Long scores a dodgy-looking copy of the Crosby, Stills, Nash & Young classic, Déjà Vu, on fairly decent-sounding vinyl — for just 50¢.
Carl F. Gauze caught a certain trio of android warrior sisters at the Enzian’s Robotica Destructiva premiere.
Brevard County showed their support for music in the community as nearly five thousand people attended the 2022 Space Coast Music Festival.