Elektric Voodoo
Telescope (Illusion Tournet Records). Review by Bob Pomeroy.
Telescope (Illusion Tournet Records). Review by Bob Pomeroy.
Ritual Divination (Riding Easy Records). Review by Bob Pomeroy.
Blue and White (Very Special Records). Review by Bob Pomeroy.
One People One World (KFR). Review by Bob Pomeroy.
Juntos (Sonic Octopus Records). Review by Bob Pomeroy.
Runnin’ for the Ghost (Peace & Rhythm). Review by Bob Pomeroy.
Here Lies Man. Review by Bob Pomeroy.
Afro Funk Explosion! (Manifesto). Review by Scott Adams.
Public Hi Fi Sessions 3 (Public Hi Fi Records. ). Review by Bob Pomeroy.
Afro-Haitian Experimental Orchestra (Glitterbeat). Review by Bob Pomeroy.
Mezcla (Glitterbeat ). Review by James Mann.
Antibalas brings the Afrobeat on Live From the House of Soul.
Original Motion Picture Soundtrack (Big Hassle). Review by Scott Adams.
Adam Pierce, head mouseketeer in the rhythm-heavy, fuzz-laden collective known as Mice Parade, chats with Ink 19 about his process – and lack thereof.
Sincerely, Severely (Orange Records). Review by Jeff Schweers.
With over 40 albums and an unassailable legacy as the originator of one of Africa’s most popular and enduring sounds, the job of curating Fela Kuti’s catalog for the 21st century is a difficult and enviable task. Ink 19 dives into the Knitting Factory’s Chop n’ Quench, Fela’s first nine albums re-released, and gives a heads up on the Na Poi set of albums due to drop on May 11.
Sun People (ESL Music). Review by Carl F Gauze.
Invisible Cities (Ubiquity). Review by Aaron Shaul.
Bromst (Carpark). Review by Julius Lacking.
Lilys’ East Coast tour begins February 10, 2023, and will include shows in Philadelphia, Baltimore, New York City, and more.
Soul’d Out: The Complete Wattstax Collection overwhelms Carl F. Gauze with 12 music CDs reprising the 1972 benefit concert to rebuild Watts, Los Angeles, seven years after the riot.
OG Skate Rock Band JFA Is Back With Its First Studio Album In Way Too Long, The Last Ride, out May 2023.
Elizabeth Moen may have started life with Midwest roots, but the singer-songwriter’s incredible talent has taken her to the international stage. Jeremy Glazier talks with the Iowa songbird on today’s episode.
Rifling through a boxful of ravaged old records, Christopher Long locates a flea market LP copy of the Ozark Mountain Daredevils Don’t Look Down — for a quarter — and speaks with the band’s co-founding bassist, Michael “Supe” Granda, about his amazing discovery.
Winter Park Playhouse regular Carl F. Gauze enjoys Tales from a Hopeful Romantic, a musically outstanding love story, courtesy of spotlight chanteuse Tay Anderson.
Blood, guts, and kicking butt in France — it’s the age-old story of Shakespeare. Carl F. Gauze once again enjoys the salacious violence and complicated plot points of Henry V, in the moody dark of Orlando Shakes.
Infidelity, agoraphobia and Ice Capades. Carl F. Gauze attempts to find an answer to the question “How Florida can you get?” in The Great American Trailer Park Musical at Theater West End.
Jeremy Glazier catches Ian Noe at the Rust Belt, where they discuss putting Between the Country together, some of the influences that affect Noe’s songwriting, and his dislike of EPs.