Head For The Door (Virgin). Review by Andrew Ellis.

After postponing the original show date to make history in Cuba, Audioslave finally arrive in Orlando to play an intimate venue in the midst of their arena tour. Jen Cray decides the wait was worth it.

You’rNext (Small Stone). Review by Aaron Shaul.

How does a musician lacking in any formal training get into Berklee? Sheer guts and determination. Gail Worley talks to Sarah Fimm about her dedication and inspirations.

Hangover Music Vol. VI (Spitfire). Review by Joe Frietze.

BLS,Zakk Wylde,Alice in Chains,Godsmack,Ozzy Osbourne,acoustic,powerful,unique,Procol Harum,Whiter Shade of Pale,Black Label Society,Hangover Music Vol. VI,Spitfire Records,Joe Frietze

The Other Side (Republic - Universal). Review by Joe Frietze.

acoustic,unplugged,Dropbox,Sully Erna,Alice In Chains,overrated,Godsmack,The Other Side,Republic - Universal,Joe Frietze

Cover, Protective, Individual (Firecode Core). Review by Stein Haukland.

San Francisco,Piano Wire Smile,Foot,Psychedelic,metal,Post-grunge,Less,Cover, Protective, Individual,Firecode Core,Stein Haukland

Life On Display (Geffen). Review by Andrew Ellis.

Life On Display (Geffen). Review by Andrew Ellis.

What It Sounds Like (Vol. 1) (Dualtone). Review by James Mann.

Just how can you keep your drum patterns fresh? Gail Worley speaks to master rhythm chef Stephen Perkins about that and cooking with Tommy Lee, in this second part of her two-part interview.

Bottom of the Curve (54, 40’ or Fight!). Review by Daniel Mitchell.

Supared (Sanctuary Records). Review by Daniel Mitchell.

Blue in the Face (Roadrunner). Review by Stein Haukland.

Nothing To Remember (Metal Blade). Review by Stein Haukland.

Awaken (self-released). Review by Daniel Mitchell.

Krescent 4 (self-released). Review by Gail Worley.