Venice Is Sinking
Sand & Lines (One Percent Press). Review by Matthew Moyer.
Sand & Lines (One Percent Press). Review by Matthew Moyer.
Crazy Heart - Original Motion Picture Sound Track (Fox Search Light / New West). Review by Al Pergande.
Is Passed in Sleep; At Night He Hunts (Jumberlack Media). Review by Nora Richardson.
Homage Au Passé (Lionsgate). Review by Carl F Gauze.
Light Poles and Pines (Seany). Review by Carl F Gauze.
Writing Down Things to Say (Words on Music). Review by Aaron Shaul.
The Asheville Squints (Quite Scientific). Review by Aaron Shaul.
Black Holiday in Mexico City (Shut Eye Records and Agency). Review by Carl F Gauze.
Ridiculous Empire (Cool Midget). Review by Carl F Gauze.
Ghost Dance (K). Review by Aaron Shaul.
My Ion Truss (Jagjaguwar). Review by Aaron Shaul.
To Go Home (Merge). Review by Aaron Shaul.
Sharp Teeth (Buhanan). Review by Aaron Shaul.
Meadow (Merge). Review by Aaron Shaul.
Ambassador (Six Shooter). Review by Aaron Shaul.
Let It Roll (Dahlia). Review by Aaron Shaul.
Feel the Pull (Self-Released). Review by Aaron Shaul.
The Tallest Man on Earth (Gravitation). Review by Aaron Shaul.
Second Guessing (Amish). Review by Aaron Shaul.
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.
John Wayne’s final movie sees the cowboy actor go out on a high note, in The Shootist, one of his best performances.
Get to the theater tonight for Indigo Girls: It’s Only Life After All, Alexandria Bombach’s latest documentary, one night only!
Speedfossil’s in love with a girl on the internet, on “IRL” from Room With A VU, Vol.1.