Ian McFarland
Go Lucky (It’s Not Records). Review by Stacey Zering.
Go Lucky (It’s Not Records). Review by Stacey Zering.
Red Light District (Ultradose). Review by Carl F Gauze.
Hope (Cardboard Empire Records). Review by Carl F Gauze.
On The Sleeve (New Granada). Review by Carl F Gauze.
Everybody, Come Outside! (Lujo). Review by Carl F Gauze.
Returning for two sold-out shows in Orlando on their annual Green 17 Tour, Flogging Molly gave Carl Gauze a reason to chug another Guinness.
The Street Lights Have Been Turned Down (New Granada). Review by Aaron Shaul.
Future Perfect (DMZ/Red Ink). Review by Aaron Shaul.
Feed (Burnside). Review by Aaron Shaul.
Take Them On, On Your Own (Virgin). Review by Aaron Shaul.
Hello (Island). Review by Vanessa Bormann.
With her days in Sarge behind her, Elizabeth Elmore is dividing her time between law school and trying to make it as a solo artist. Phil Bailey caught her in a rare open moment to discuss going solo, vegetarianism, Matlock, and why she thinks the “women’s music” movement sucks.
Today’s Smmoth Jazz Roundup is a collection of short reviews of easy-to-listen-to jazz.
In Perfect Harmony: The Lost Album (Jazz Detective). Review by Bob Pomeroy.
The Mighty Warriors: Live in Antwerp (Elemental Music). Review by Bob Pomeroy.
40 years on, Michael Gira and Swans continue to bring a ritualistic experience that needs to be heard in order to be believed. Featured photo by Reese Cann.
The biggest astronomical event of the decade coincides with a long overdue trip to Austin, Texas.
Sofia and Louise have just graduated nursing school. They have no idea what they’ve signed up for.
At the Showcase: Live in Chicago 1976/1977 (Jazz Detective). Review by Bob Pomeroy.
Atlantis Lullaby: The Concert in Avignon (Elemental Music). Review by Bob Pomeroy.
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.