Ian McFarland
Go Lucky (It’s Not Records). Review by Stacey Zering.
Go Lucky (It’s Not Records). Review by Stacey Zering.
Red Light District (Ultradose). Review by Carl F Gauze.
Hope (Cardboard Empire Records). Review by Carl F Gauze.
On The Sleeve (New Granada). Review by Carl F Gauze.
Everybody, Come Outside! (Lujo). Review by Carl F Gauze.
Returning for two sold-out shows in Orlando on their annual Green 17 Tour, Flogging Molly gave Carl Gauze a reason to chug another Guinness.
The Street Lights Have Been Turned Down (New Granada). Review by Aaron Shaul.
Future Perfect (DMZ/Red Ink). Review by Aaron Shaul.
Feed (Burnside). Review by Aaron Shaul.
Take Them On, On Your Own (Virgin). Review by Aaron Shaul.
Hello (Island). Review by Vanessa Bormann.
With her days in Sarge behind her, Elizabeth Elmore is dividing her time between law school and trying to make it as a solo artist. Phil Bailey caught her in a rare open moment to discuss going solo, vegetarianism, Matlock, and why she thinks the “women’s music” movement sucks.
All-American music legend Bonnie Raitt played the Riverwind Casino Showplace Theatre in Norman, Oklahoma, recently while on her Live 2025 international concert tour. Longtime Ink 19 contributor Christopher Long was there and got the goods.
“Little Dreaming” (Darkroom / Polydor / Capitol). Review by Danielle Holian.
Everything Changes, Everything Stays the Same (Tapete Records). Review by Peter Lindblad.
Stories I Only Tell My Friends (Blackbird Records). Review by Bob Pomeroy.
Bone Bells (Pyroclastic Records). Review by Bob Pomeroy.
In this installment of his popular weekly series, Christopher Long recalls rolling up on a used record joint in Myrtle Beach where he scored a clean and quiet vinyl copy of Hermit of Mink Hollow, the 1978 masterpiece from Todd Rundgren, for just $2.
Ink 19 spoke with Brendan James to discuss the inspiration behind Chasing Light, his uniquely alluring sound, and why he makes music.
Serving as an inspirational beacon for aspiring musicians and artists — women and men alike — Beat Keepers: The Next Chapter may not be a big-budget feature, but its heartbeat is HUGE!