Kate Voegele
Don’t Look Away (MySpace Records). Review by Andrew Ellis.
Don’t Look Away (MySpace Records). Review by Andrew Ellis.
Errors and Admissions (Self-Released). Review by Andrew Ellis.
Lez Zeppelin (Emanation Records). Review by Andrew Ellis.
In his new book, Motley Crue bassist Nikki Sixx lifts the lid on the most insane year of life when his drug habit took its gruesome, inevitable toll. Andrew Ellis discovers the reality behind the typical rock star cliché or sex, drugs and rock n’roll.
The Great Burrito Extortion Case (Jive). Review by Andrew Ellis.
What Hides Inside (Red Lick Records). Review by Andrew Ellis.
The Heroin Diaries (Eleven Seven). Review by Andrew Ellis.
Some Mad Hope (Vanguard). Review by Andrew Ellis.
The Miles (Traveling Light Records). Review by Andrew Ellis.
Fire Away (G$makr Music). Review by Andrew Ellis.
These Days (The Virginia Sessions) (Self-released). Review by Andrew Ellis.
Cigarettes and Gasoline (EMI/Manhattan). Review by Andrew Ellis.
Driveblind (Geffen). Review by Andrew Ellis.
Chinese Boxes (Vanguard). Review by Andrew Ellis.
While The City Sleeps (One Little Indian). Review by Andrew Ellis.
Optimism In E Minor (Self-Released). Review by Andrew Ellis.
Four Stops and Home (Interscope). Review by Andrew Ellis.
Coming Home (Suretone/Geffen). Review by Andrew Ellis.
Undiscovered (Interscope). Review by Andrew Ellis.
Supply and Demand (EMI/Blue Note). Review by Andrew Ellis.
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.
John Wayne’s final movie sees the cowboy actor go out on a high note, in The Shootist, one of his best performances.
Get to the theater tonight for Indigo Girls: It’s Only Life After All, Alexandria Bombach’s latest documentary, one night only!
Speedfossil’s in love with a girl on the internet, on “IRL” from Room With A VU, Vol.1.