Take Me To The River: New Orleans
Take Me To The River: New Orleans (Petaluma Records). Review by Bob Pomeroy.
Take Me To The River: New Orleans (Petaluma Records). Review by Bob Pomeroy.
Grove House (Now Forward Music). Review by Stacey Zering.
The Birds, They Taught Me. Review by Stacey Zering.
Years pass, and so do our legends, but one constant remains: there are always artists living and breathing that are worth your time and attention. Ani DiFranco is a major one, according to Jen Cray and a whole legion of fans.
CDBY. Review by Carl F Gauze.
According to May Terry, activism can be fun when it’s done with a friendly nudge from Erin McKeown, who delivered a great night of alternative folk with a touch of Cabaret at Le Poisson Rouge in NYC.
Ani DiFranco brings Orlando, and Jen Cray, to levels of enjoyment not often felt in the company of so many others.
A little musical mojito over classic songs goes a long way, and that’s the secret ingredient for Rodrigo y Gabriela’s success in wooing the heart of May Terry.
Mike Doughty has been through just about everything. The rise and fall (and subsequent hatred) of his former band Soul Coughing. The rise of his solo acoustic career. And, oh yeah, drugs. Lots of them. And his recent sobriety. So, why should anyone care? Tim Wardyn went searching for that answer.
Rock & Roll EP (Epitaph). Review by Jen Cray.
Kevin Devine and Manchester Orchestra’s Andy Hull have joined forces as the gorgeously poetic pop group Bad Books, but fill their recent tour setlists with songs from their collective catalogs. Jen Cray enjoys the music, but yearns for an espresso or two.
Tegan and Sara throw the seating chart out the window, liberating a sold-out crowd at the Tampa Theatre right out of their chairs.
Hitting the road with Ani DiFranco as a follow-up to her national touring debut with no less a superstar than Tracy Chapman , Gaby Moreno will have to follow-up her debut album, Still the Unknown with a title more befitting her potential breakout. She’s already got some surprises up her sleeve for the second act.
Against all odds the annual Rothbury Music Festival perseveres with the help of The Dead, Bob Dylan, and Willie Nelson. Chris Catania reports from Michigan.
Tori Amos has been setting fire to fans’ hearts and minds for 17 years, Jen Cray among them. Her recent Orlando show was, as usual, a rousing success.
For What It’s Worth. Review by Robert M. Sutton.
Langhorne Slim (Kemado). Review by Jen Cray.
After being sidelined with tendinitis and the birth of her first child, Ani DiFranco has returned to the road, making her way to Florida for the first time in four years. Jen Cray clocks this show at the Tampa Theatre as her eighteenth time seeing the little folksinger.
Connect: Live at Eddie’s Attic (Rate Records). Review by Jen Cray.
Macabre masterpiece The House that Screamed gets a stunning Blu-ray makeover, revealing a release good enough to convert non-believers. Phil Bailey reviews.
Ink 19’s Stacey Zering talks with writer Doug Bratton, who takes us inside his indie murder mystery comic book series, Isolation.
On today’s show, Charley Deppner, Eszter Balint, and Pat Greene enjoy a discussion of terror, punk rock, and the duality of musical genius.
In this episode, Jeremy Glazier talks with Tim Bluhm and Greg Loiacono of The Mother Hips, just as their entire back catalog is released on vinyl in partnership with the Blue Rose Foundation.
This week, savvy shopper Christopher Long scores an abused vinyl copy of The Long Run, the 1979 Eagles classic, from a local junkie for a pack of smokes and a can of pop.
Black Holes Are Hard to Find (Nemu Records). Review by Carl F. Gauze.
Carl F. Gauze reviews his second As You Like It in three days, the latest a candy-colored complexity from Rollins College’s Annie Russell Theatre.
Episode 21, in which Jeremy Glazier has a fun conversation with the incredible musician, author, and artist Andy Aledort.