Never Suspend Disbelief (Jump Start). Review by Jen Cray.

Darker Days (Hellcat). Review by Jen Cray.

The Orlando date of the Against Me! tour was scheduled in competition with the annual Anti Pop Fest, but the band’s loyal followers could not be deterred. Jen Cray skipped out on the multitude of alternate shows happening downtown to spend another evening with these Gainesville boys.

Audio & Murder (Sinister Muse). Review by Jen Cray.

It’s 300 degrees in the shade, the Orlando streets are teeming with teenagers, and Jen Cray was about to throw down $6 for a Bud Light. This can only mean one thing: it’s time for another Warped Tour.

Living In The Fallout (Think Fast!). Review by Jen Cray.

New Maps of Hell (Epitaph). Review by Jen Cray.

Three (In Music We Trust Records). Review by Tim Wardyn.

Successful Attempts at Failure (Sinister Muse). Review by Kyrby Raine.

Unsound (Epitaph). Review by David Barker.

Strike Anywhere plus Bane… the perfect combination of hardcore and politi-punk for Jen Cray to shake out the frustrations of a long week to.

Shoot The Moon: The Essential Collection (Antagonist). Review by Jen Cray.

Live at the Deaf Club (Manifesto Records). Review by Carl F Gauze.

SoCal and NYC hardcore invade the Sunshine state with Pennywise and H2O turning Orlando’s House of Blues into one large mosh pit. A drenched Jen Cray reports.

What’s in a Name (Daemon). Review by Aaron Shaul.

Error (Epitaph). Review by Addam Donnelly.

Siren Song of the Counter-Culture (Geffen). Review by Daniel Mitchell.

Andiamo (Lava). Review by Andrew Ellis.

More than two decades into their career, Bad Religion have delivered their most focused critique of an American presidency. The Empire Strikes First pulls aside the curtain of Christianity and “homeland security” to reveal the men at the controls. Eric J. Iannelli hopes it hasn’t come too late.

Volume 8 (Epitaph). Review by Troy Jewell.