The Moms
Doing Asbestos We Can (Bar/None). Review by Carl F Gauze.
Doing Asbestos We Can (Bar/None). Review by Carl F Gauze.
Mortal Micronotz, Smash, Live, The Beast that Devoured Itself, 40 Fingers (Bar/None). Review by Scott Adams.
Falling off the Sky (Bar/None). Review by Sean Slone.
alt-country country pop country radio friendly singer/songwriter,Kate Jacobs,You Call That Dark,Bar/None,Aaron Shaul
You Call That Dark (Bar/None). Review by Aaron Shaul.
bossa nova,Cantuária,Jobim Horse & Fish,Vinicius Cantuária,Horse and Fish,Bar/None,Eric J. Iannelli
goth,gothic,country,alt. country,singer songwriter,Eszter Balint,Mud,Bar/None,Aaron Shaul
Horse and Fish (Bar/None). Review by Eric J. Iannelli.
Mud (Bar/None). Review by Aaron Shaul.
I Know Your Troubles Been Long (Bar/None). Review by Aaron Shaul.
So High (Bar / None). Review by Stein Haukland.
Self-Assembly (Bar/None). Review by Anton Wagner.
Athens-based the Mendoza Line took their name from Mario Mendoza, a major lea…
The Earth Pressed Flat (Bar/None). Review by Phil Bailey
The Gay Parade (Bar/None). Review by Jeff Montgomery
The Gay Parade (Bar/None). Review by Kurt Channing
Column by Anton Wagner
Double Thriller (Bar/None). Review by Kurt Channing
Noon Chill (Bar/None). Review by Carl Glaser
This week, Christopher Long reveals one of his most amazing vintage vinyl acquisitions: an original pressing of Aladdin Sane — the iconic 1973 slab from David Bowie. Why so amazing? He nabbed it for FREE!
Who’s Making You Feel It (Darkroom/Polydor/Capitol). Review by Danielle Holian.
Film noir meets Sci-fi horror in Evan Marlowe’s bizarre puppet film Abruptio. Phil Bailey promises you have never seen anything quite like it.
Cheerleader’s Wild Weekend, aka The Great American Girl Robbery, entered the fray in 1979 with its odd mashup of hostage drama, comedic crime caper, and good old fashioned T & A hijinks. Phil Bailey reviews the Blu-ray release.