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The Moms
- Music Reviews
- December 11, 2017
Doing Asbestos We Can (Bar/None). Review by Carl F Gauze.
Micronotz reissues
- Music Reviews
- August 23, 2016
Mortal Micronotz, Smash, Live, The Beast that Devoured Itself, 40 Fingers (Bar/None). Review by Scott Adams.
The dB’s
- Music Reviews
- July 9, 2012
Falling off the Sky (Bar/None). Review by Sean Slone.
Kate Jacobs
- Music Reviews
- July 22, 2004
alt-country country pop country radio friendly singer/songwriter,Kate Jacobs,You Call That Dark,Bar/None,Aaron Shaul
Kate Jacobs
- Music Reviews
- July 21, 2004
You Call That Dark (Bar/None). Review by Aaron Shaul.
Vinicius Cantu•ria
- Music Reviews
- June 29, 2004
bossa nova,Cantuária,Jobim Horse & Fish,Vinicius Cantuária,Horse and Fish,Bar/None,Eric J. Iannelli
Eszter Balint
- Music Reviews
- June 28, 2004
goth,gothic,country,alt. country,singer songwriter,Eszter Balint,Mud,Bar/None,Aaron Shaul

Vinicius Cantuária
- Music Reviews
- June 15, 2004
Horse and Fish (Bar/None). Review by Eric J. Iannelli.
Eszter Balint
- Music Reviews
- June 7, 2004
Mud (Bar/None). Review by Aaron Shaul.
Mayday
- Music Reviews
- July 28, 2003
I Know Your Troubles Been Long (Bar/None). Review by Aaron Shaul.
Jenifer Jackson
- Music Reviews
- June 3, 2003
So High (Bar / None). Review by Stein Haukland.
Noonday Underground
- Music Reviews
- October 3, 2001
Self-Assembly (Bar/None). Review by Anton Wagner.
The Mendoza Line
- Music Reviews
- July 31, 2000
Athens-based the Mendoza Line took their name from Mario Mendoza, a major lea…
10,000 Maniacs
- Music Reviews
- July 6, 1999
The Earth Pressed Flat (Bar/None). Review by Phil Bailey

Of Montreal
- Music Reviews
- June 7, 1999
The Gay Parade (Bar/None). Review by Jeff Montgomery
Of Montreal
- Music Reviews
- May 27, 1999
The Gay Parade (Bar/None). Review by Kurt Channing
John Southworth
- Adjective City
- March 3, 1999
Column by Anton Wagner
The Glands
- Music Reviews
- December 30, 1998
Double Thriller (Bar/None). Review by Kurt Channing
Arto Lindsay
- Music Reviews
- June 11, 1998
Noon Chill (Bar/None). Review by Carl Glaser

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