Turn Pale
Kill the Lights (What Else?). Review by Daniel Mitchell.
Kill the Lights (What Else?). Review by Daniel Mitchell.
Gems of Masochism (Three.One.G). Review by Stein Haukland.
I Require Chocolate 7” (Gold Standard Laboratories). Review by Daniel Mitchell.
Blow Up Hollywood (self-released). Review by Daniel Mitchell.
Commencement (Dreamworks). Review by Daniel Mitchell.
High Gain Villains (self-released). Review by Julio Diaz.
Peter Murphy discusses Dust – his new East-meets-West CD – as well as David Bowie and the true meaning of “Gothic” in a surprisingly candid chat with Steve Stav.
Future Legends (Legendary). Review by Christopher R. Weingarten.
Love And Hate (Jungle). Review by Nathan T. Birk.
Exciter (Mute/Reprise). Review by Julio Diaz.
The Cure at the Merriweather Post Pavillion, Columbia, MD, June 18, 2000. Concert review by Rob Ward.
Event Review by Gail Worley
Crackle (Beggars Banquet). Review by Gail Worley
Today’s Smmoth Jazz Roundup is a collection of short reviews of easy-to-listen-to jazz.
In Perfect Harmony: The Lost Album (Jazz Detective). Review by Bob Pomeroy.
The Mighty Warriors: Live in Antwerp (Elemental Music). Review by Bob Pomeroy.
40 years on, Michael Gira and Swans continue to bring a ritualistic experience that needs to be heard in order to be believed. Featured photo by Reese Cann.
The biggest astronomical event of the decade coincides with a long overdue trip to Austin, Texas.
Sofia and Louise have just graduated nursing school. They have no idea what they’ve signed up for.
At the Showcase: Live in Chicago 1976/1977 (Jazz Detective). Review by Bob Pomeroy.
Atlantis Lullaby: The Concert in Avignon (Elemental Music). Review by Bob Pomeroy.
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.