Here Anonymous (Dangerbird). Review by Jen Cray.

Fujiya & Miyagi brought their unique brand of electronica to Orlando’s BackBooth recently. Phillip Haire got his groove on.

Birds On Wires (Hey!LowSound Recordings). Review by Robert M. Sutton.

The return of anti-folk master Paleface piqued the interest of few in Orlando, but those who did turn out for his intimate, late-night performance on a frigid winter night were treated to a rare moment of musical beauty.

Fucked Up Friends (anticon). Review by P. McEver.

3 Rounds and a Sound (Expunged Records/ In Music We Trust). Review by Tim Wardyn.

How the Day Sounds (Vanguard Records). Review by Tim Wardyn.

Father Divine (RIOR). Review by Chris Catania.

1959 (Quiver Society). Review by Chris Catania.

Pressure (Badman). Review by Jen Cray.

Panic Prevention (Caroline). Review by Jen Cray.

The blues-soaked, funk-sprinkled, new progressive sounds of Alaska’s Portugal The Man made an evening of mediocre bands worth it for Jen Cray.

What The Hell Do I Know? (Ace Fu). Review by Jen Cray.

Diagrams Without Instructions (Hi Fi Alliance). Review by Jen Cray.

Monument to the Masses (Virgin). Review by Jen Cray.

Brit-pop smash Starsailor is working on a foothold in America. Chris Catania sat down with James Walsh to find out about breaking in a new country, Bright Eyes and why American crowds giggle during “Alcoholic.”

The Fun Fun Fun Tour it’s called. How could you not want to check that one out? Esspecially when Ben Lee and Rooney are sharing the bill! Jen Cray was in on the fun!

For a band that is less than two years old, the guys of A Paper Tiger know what they’re doing when it comes to music– and they’re doing it extremely well. Brittany Sturges catches up with the band over a cup of coffee and some food.

Paranoid Social Club (On Records). Review by Carl F Gauze.

Storyteller (33rd Street Records). Review by Kyrby Raine.