Radio Khartoum works hard to set itself apart from the indie-pop pack, working with non-Anglo American bands like Cessna and Watoo Watoo, and releasing material exclusively on three-inch CDs. Andrew Muzyk corresponds with label head Alexander Bailey to discover what drives RK’s unique approach.
Starting an indie label is a risky prospect. Being able to sell your stuff at an affordable price and put out all the records you want to is even tougher. So how does the eclectic and intriguing Blackbean and Placenta Tape Club label make it work? Mike Landucci reveals some of the secrets of his success to Andrew Chadwick.
The Mathlete theorem states that 2 guys + a 4 track recorder = lo-fi indie pop masterpieces. Andrew Chadwick learns the new math from professors Michael Downey and Dan Marsden.
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Carl F. Gauze reviews Live and Fucking Loud From London on DVD, featuring the queen of rock and roll sex appeal, Wendy O. Williams.
Director Laura Citarella, of the famed filmmaking collective El Pampero Cine, has created with her newest feature Trenque Lauquen a provocative transformation of her protagonist Laura (Laura Parades), whom Citarella first introduced in her 2011 film Ostende. Lily and Generoso enjoyed an in-depth conversation with Citarella about Trenque Lauquen when it screened at AFI Fest 2022.
Back in 2018, Lily and Generoso selected Adirley Queirós’s Once There Was Brasilia as a top ten film. That feature’s cinematographer, Joana Pimenta, has now co-directed with Queirós one of the most expansive political films we’ve seen this year, Dry Ground Burning. Lily and Generoso interviewed Pimenta at AFI Fest earlier this month.