Marcellus Hall
I Will Never Let You Down (Gutfeeling). Review by Steven Garnett.
I Will Never Let You Down (Gutfeeling). Review by Steven Garnett.
Mighty Poplar (Free Dirt Records). Review by Jeremy Glazier.
In this installment, Christopher Long receives another love gift from his nail tech: a slightly battered original pressing LP copy of Fire on the Mountain, the 1974 classic from Charlie Daniels — for FREE!
Dark Enough To See The Stars (In The Black Records). Review by James Mann.
At The Carousel Ballroom April 24, 1968 (Renew Records). Review by James Mann.
Let The Bloody Moon Rise (Nervous Kid Records). Review by Andrew Ellis.
Whispers And Sighs. Review by James Mann.
The brilliance of Phil Ochs shines in this collection of his writings, reviewed by James Mann.
20th Century in 100 Songs (Louisiana Red Hot Records). Review by Carl F. Gauze.
The first wave of UK punk crested and shrank back, but the Mekons are still thrashing and foaming.
The sad, rancorous end of The Beatles is compelling told in And In The End.
Rock Bottom Rhapsody (New West Records). Review by Jeremy Glazier.
The Proper Years (Last Music Co.). Review by James Mann.
From Within Marin (Silver Arrow Records). Review by James Mann.
Doug Kershaw took his Cajun music from the bayou to stardom, but it wasn’t an easy trip.
Peter Laughner (Smog Veil Records). Review by James Mann.
The Record Company rolled into Athens, Georgia on a peachy Monday evening and took the Georgia Theatre on a blues roller coaster. Michelle Wilson went along for the rollicking ride and loved every minute.
Blood (Fuzze-Flex Records). Review by Michelle Wilson.
The Social Power of Music (Smithsonian Folkways Records). Review by Bob Pomeroy.
Valley of the Bones (Famous Brown Boots Music). Review by Jeremy Glazier.
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.
John Wayne’s final movie sees the cowboy actor go out on a high note, in The Shootist, one of his best performances.
Get to the theater tonight for Indigo Girls: It’s Only Life After All, Alexandria Bombach’s latest documentary, one night only!
Speedfossil’s in love with a girl on the internet, on “IRL” from Room With A VU, Vol.1.