R+R=Now
Live (Blue Note). Review by Bob Pomeroy.
Live (Blue Note). Review by Bob Pomeroy.
Super Somali Sounds From the Gulf of Tadjoura (Ostinato Records). Review by Bob Pomeroy.
Komen & Gaan (ICP). Review by Bob Pomeroy.
As live music makes a comeback, Grace Potter tests the socially distanced waters with a series of East Coast solo shows.
1975 (Smithsonian Folkways). Review by Bob Pomeroy.
Assembly (Dark Horse Records). Review by Bob Pomeroy.
Simple Syrup (Hen House Studios). Review by Bob Pomeroy.
Ritual Divination (Riding Easy Records). Review by Bob Pomeroy.
I’ve Forgotten Now Who I Used To Be (Six Degrees Records). Review by Bob Pomeroy.
Nocturne (Six Degrees Records ). Review by Bob Pomeroy.
Yol (ATO Records). Review by Bob Pomeroy.
Detroit Stories (Earmusic). Review by Bob Pomeroy.
Songs of Joy (Ubunth Music). Review by Bob Pomeroy.
The Red Planet (Madfish Music). Review by Bob Pomeroy.
Pedernal (Relative Pitch Records). Review by Bob Pomeroy.
Light of the Sun (Earth Music). Review by Bob Pomeroy.
Live at Ronnie Scott’s with Eddie Gomez and Jack DeJohnette (Resonance Records). Review by Bob Pomeroy.
Guardrails. Review by Bob Pomeroy.
A not at all definitive list of music videos that helped get me through 2020.
As the weirdest year in memory draws to a close, Sokoto Fujii releases three adventurous albums of out there jazz.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.
John Wayne’s final movie sees the cowboy actor go out on a high note, in The Shootist, one of his best performances.
Get to the theater tonight for Indigo Girls: It’s Only Life After All, Alexandria Bombach’s latest documentary, one night only!
Speedfossil’s in love with a girl on the internet, on “IRL” from Room With A VU, Vol.1.