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American Nervoso (Hydra Head Records). Review by Andrew Coulon.
American Nervoso (Hydra Head Records). Review by Andrew Coulon.
The Club @ Firestone is once again booking rock shows, and Seattle’s Minus The Bear packed the place for an eclectic evening of sounds. Jen Cray found the venue to be more inspiring than the bands.
Learn To Let It Go (Law of Inertia). Review by Addam Donnelly.
A Love Hate Relationship (Revelation). Review by Addam Donnelly.
They Make Beer Commercials Like This (Arena Rock). Review by Aaron Shaul.
Ideas of Reference (Black Market Activities). Review by Daniel Mitchell.
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Left in Kowloon (Victory). Review by Daniel Mitchell.
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When White Becomes Black (At A Loss). Review by Daniel Mitchell.
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Australasia (Hydrahead). Review by Daniel Mitchell.
Tacomatose (Initial Records). Review by Daniel Mitchell.
You Come Before You (Atlantic). Review by Daniel Mitchell.
The Beautiful Sounds of… (Escape Artists). Review by Daniel Mitchell.
Remission (Relapse Records). Review by Daniel Mitchell.
Highly Refined Pirates (Suicide Squeeze). Review by Aaron Shaul.
To Sing for Nights (Dim Mak). Review by Daniel Mitchell.
Beggar 7” (McCarthyism). Review by Daniel Mitchell.
Where Love is Dead and Hope Never Lived (Too Damn Hype). Review by Daniel L. Mitchell.
Blood, guts, and kicking butt in France — it’s the age-old story of Shakespeare. Carl F. Gauze once again enjoys the salacious violence and complicated plot points of Henry V, in the moody dark of Orlando Shakes.
Infidelity, agoraphobia and Ice Capades. Carl F. Gauze attempts to find an answer to the question “How Florida can you get?” in The Great American Trailer Park Musical at Theater West End.
Jeremy Glazier catches Ian Noe at the Rust Belt, where they discuss putting Between the Country together, some of the influences that affect Noe’s songwriting, and his dislike of EPs.
Christopher Long scores an absolutely ravaged vinyl copy of the 1977 self-titled debut from Karla Bonoff at a Florida flea market — for FREE!
Carl F. Gauze reviews this comprehensive look at the early works of Muppets creator Jim Henson by Craig Shemin.
Robert Pomeroy tracks down a long lost album on the web and catches up with two other bands on Facebook.
On today’s New Music Now, Judy Craddock talks to our musical guest, Nora O’Connor, about her solo album, My Heart, and the captivating new music she’s listening to right now. Tune in for great music, and more ’90s references than you can shake a scrunchie at.
Writer Kazuo Kasahara and director Kôsaku Yamashita transcend genre conventions to create the memorable film Big Time Gambling Boss. Phil Bailey reviews.
Frank Bello’s new memoir Fathers, Brothers, and Sons: Surviving Anguish, Abandonment, and Anthrax takes us from a New York childhood, to Anthrax stadium tours, to fatherhood with the charming informality of a conversation with an old friend. Then I’m Gone, Bello’s first solo EP, provides accompaniment. Joe Frietze reviews.
Savvy shopper Christopher Long scores a dodgy-looking copy of the Crosby, Stills, Nash & Young classic, Déjà Vu, on fairly decent-sounding vinyl — for just 50¢.
Carl F. Gauze caught a certain trio of android warrior sisters at the Enzian’s Robotica Destructiva premiere.
Brevard County showed their support for music in the community as nearly five thousand people attended the 2022 Space Coast Music Festival.