Botch
American Nervoso (Hydra Head Records). Review by Andrew Coulon.
American Nervoso (Hydra Head Records). Review by Andrew Coulon.
The Club @ Firestone is once again booking rock shows, and Seattle’s Minus The Bear packed the place for an eclectic evening of sounds. Jen Cray found the venue to be more inspiring than the bands.
Learn To Let It Go (Law of Inertia). Review by Addam Donnelly.
A Love Hate Relationship (Revelation). Review by Addam Donnelly.
They Make Beer Commercials Like This (Arena Rock). Review by Aaron Shaul.
Ideas of Reference (Black Market Activities). Review by Daniel Mitchell.
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Left in Kowloon (Victory). Review by Daniel Mitchell.
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When White Becomes Black (At A Loss). Review by Daniel Mitchell.
metal,sludge,screamo,Swarm of the Lotus,When White Becomes Black,At A Loss Records,Daniel Mitchell
Australasia (Hydrahead). Review by Daniel Mitchell.
Tacomatose (Initial Records). Review by Daniel Mitchell.
You Come Before You (Atlantic). Review by Daniel Mitchell.
The Beautiful Sounds of… (Escape Artists). Review by Daniel Mitchell.
Remission (Relapse Records). Review by Daniel Mitchell.
Highly Refined Pirates (Suicide Squeeze). Review by Aaron Shaul.
To Sing for Nights (Dim Mak). Review by Daniel Mitchell.
Beggar 7” (McCarthyism). Review by Daniel Mitchell.
Where Love is Dead and Hope Never Lived (Too Damn Hype). Review by Daniel L. Mitchell.
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.
John Wayne’s final movie sees the cowboy actor go out on a high note, in The Shootist, one of his best performances.
Get to the theater tonight for Indigo Girls: It’s Only Life After All, Alexandria Bombach’s latest documentary, one night only!
Speedfossil’s in love with a girl on the internet, on “IRL” from Room With A VU, Vol.1.