Ian Moore
Toronto (Last Chance Records). Review by Michelle Wilson.
Toronto (Last Chance Records). Review by Michelle Wilson.
A fascinating look at the melding of three seemingly disparate artists during a brief period of time that resulted in some of the most influential music to come out of the Seventies.
Lost footage of David Bowie highlights awkward interviews and a general astonishment by the press at his constantly changing persona. Heh heh.
The Slider (Fat Possum). Review by Scott Adams.
Exposure (DMG). Review by Carl F Gauze.
Tom Schulte hears the bad CDs so you don’t have to. Herein are paragraphs on the good ones.
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.
John Wayne’s final movie sees the cowboy actor go out on a high note, in The Shootist, one of his best performances.
Get to the theater tonight for Indigo Girls: It’s Only Life After All, Alexandria Bombach’s latest documentary, one night only!
Speedfossil’s in love with a girl on the internet, on “IRL” from Room With A VU, Vol.1.