Keith Welsh
American (Boxcar). Review by Julio Diaz.
American (Boxcar). Review by Julio Diaz.
Subtitled “The ’90s underground covering the ’80s mainstream in the ‘00,” …
Dark room. A door opens. Two men walk in. One walks out. Inside, nothing. Wha…
Don’t call them math-rock, and don’t compare them to Slint, because you won’t be doing justice to the lush and understated beauty of the Mercury Program. Nirav Soni chairs a roundtable discussion with all four members of the atmospheric and critically acclaimed Gainesville quartet.
The Mercury Program (Boxcar). Review by TJ Stankus
The Mercury Program (Boxcar). Review by Tom Minarchick
Split 7” (Boxcar). Review by TJ Stankus
The Burgundy Romance (Boxcar). Review by TJ Stankus
Two Weeks Too Late (Boxcar). Review by Julio Diaz
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.
John Wayne’s final movie sees the cowboy actor go out on a high note, in The Shootist, one of his best performances.
Get to the theater tonight for Indigo Girls: It’s Only Life After All, Alexandria Bombach’s latest documentary, one night only!
Speedfossil’s in love with a girl on the internet, on “IRL” from Room With A VU, Vol.1.