Brian Jonestown Massacre
Brian Jonestown Massacre has survived the notorious mood swings of mastermind Anton Newcombe long enough to pummel a sold-out Tel Aviv crowd and Ink 19’s own Yifat Grizman with nearly three hours of genius noise.
Brian Jonestown Massacre has survived the notorious mood swings of mastermind Anton Newcombe long enough to pummel a sold-out Tel Aviv crowd and Ink 19’s own Yifat Grizman with nearly three hours of genius noise.
Buddha Electrostorm (Fire Records). Review by Matthew Moyer.
Death To God (Noise On Noise). Review by Matthew Moyer.
Old Growth (Matador). Review by Michael Crown.
Portland, ho! Matthew Moyer finds the Zinester’s Guide to be a heartfelt, if somewhat flawed, love letter to stick in your jacket pocket the next time you visit “the city that works.”
Supersize It Under Pontius Pilate (Tokyo Rose Records). Review by Matthew Moyer.
Feathers (Matador). Review by Aaron Shaul.
This week, Christopher Long reveals one of his most amazing vintage vinyl acquisitions: an original pressing of Aladdin Sane — the iconic 1973 slab from David Bowie. Why so amazing? He nabbed it for FREE!
Who’s Making You Feel It (Darkroom/Polydor/Capitol). Review by Danielle Holian.
Film noir meets Sci-fi horror in Evan Marlowe’s bizarre puppet film Abruptio. Phil Bailey promises you have never seen anything quite like it.
Cheerleader’s Wild Weekend, aka The Great American Girl Robbery, entered the fray in 1979 with its odd mashup of hostage drama, comedic crime caper, and good old fashioned T & A hijinks. Phil Bailey reviews the Blu-ray release.
In this latest installment of his weekly series, Christopher Long discovers and scores a secondhand vinyl copy of one of his all-time favorite LPs: 2XS (To Excess), the splendid 1982 flop from the iconic Scottish powerhouse, Nazareth.
A Murmuration of Capitalist Bees (Expert Work Records, Dipterid Records). Review by Peter Lindblad.
Author and longtime Ink 19 contributor Christopher Long kicks off the 2025 edition of his popular weekly Garage Sale Vinyl series with a bona fide banger: the blues-soaked, whisky-injected, self-titled 1971 debut record from Bonnie Raitt.
Hear My Song: The Collection, 1966 - 1995 (Madfish Music). Review by Bob Pomeroy.