The Pastels
Illuminati (Up). Review by brYan Tilford
Illuminati (Up). Review by brYan Tilford
Minor Chords and Major Themes (E Pluribus Unum). Review by brYan Tilford
Good Morning Spider (Capitol). Review by brYan Tilford
Salad Days (Thirsty Ear). Review by brYan Tilford
Damage (All Saints/Thirsty Ear). Review by brYan Tilford
Various Artists (Nonesuch). Review by brYan Tilford
The Flatlands (All Saints/Thirsty Ear Recordings). Review by brYan Tilford
Can You Still Feel? (Elektra). Review by brYan Tilford
Little Songs (Nettwerk). Review by brYan Tilford
There You Go +3 (Columbia). Review by brYan Tilford
What Now, What Next (Discipline Global Mobile). Review by brYan Tilford
Vegetable Kingdom (Spongebath). Review by brYan Tilford
The Sky is Too High (Transcopic/Caroline). Review by brYan Tilford
Volume One (550/Sony Music). Review by brYan Tilford
Interview by brYan Tilford
For All the Beautiful People (Beggars Banquet). Review by brYan Tilford
Absent Lovers (Discipline Global Mobile Recordings). Review by brYan Tilford
It’s All Just the Same (Sire). Review by brYan Tilford
William pears (Permanent Press). Review by brYan Tilford
Love Is The Devil Original Soundtrack Recording (Asphodel). Review by brYan Tilford
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.
John Wayne’s final movie sees the cowboy actor go out on a high note, in The Shootist, one of his best performances.
Get to the theater tonight for Indigo Girls: It’s Only Life After All, Alexandria Bombach’s latest documentary, one night only!
Speedfossil’s in love with a girl on the internet, on “IRL” from Room With A VU, Vol.1.