Burzum
The Fallen (Candlelight Records ). Review by Matthew Moyer.
The Fallen (Candlelight Records ). Review by Matthew Moyer.
Songs of Torment, Songs of Joy (Candlelight Records). Review by Matthew Moyer.
Parasite of Society (Candlelight). Review by Matthew Moyer.
Anthology (Candlelight). Review by Matthew Moyer.
Witchcult Today (Candlelight Records). Review by Matthew Moyer.
Zero Tolerance (Candlelight Records). Review by Matthew Moyer.
Necrosis (Candlelight Records). Review by Matthew Moyer.
The Work Which Transforms God (Candlelight Records). Review by Terry Eagan.
Domination (Candlelight). Review by Daniel Mitchell.
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Min Tid Skal Komme (Candlelight). Review by Daniel Mitchell.
Genocide (Candlelight). Review by Daniel Mitchell.
Scattered Ashes (Candlelight Records). Review by Daniel Mitchell.
Lover Of Sin (Candlelight). Review by Matthew Moyer.
In the Halls of Waiting (Candlelight). Review by Daniel Mitchell.
Limbonic Art (Candlelight). Review by Daniel Mitchell.
Diabolical Desolation (Candlelight). Review by Daniel Mitchell.
Blueprints (Candlelight). Review by Daniel L. Mitchell.
This fall, Ani DiFranco brought new Righteous Babe labelmate Kristen Ford to Iowa City, where Jeremy Glazier enjoyed an incredible evening of artistry.
This week Christopher Long grabs a bag of bargain vinyl from a flea market in Mount Dora, Florida — including You’re Never Alone with a Schizophrenic, the classic 1979 LP from Ian Hunter.
Bob Pomeroy gets into four Radio Rarities from producer Zev Feldman for Record Store Day with great jazz recordings from Wes Montgomery, Les McCann, Cal Tjader, and Ahmad Jamal.
Bob Pomeroy digs into Un “Sung Stories” (1986, Liberation Hall), Blasters’ frontman Phil Alvin’s American Roots collaboration with Sun Ra and his Arkestra, the Dirty Dozen Brass Band, and New Orleans saxman Lee Allen.
Roi J. Tamkin reviews A Darker Shade of Noir, fifteen new stories from women writers completely familiar with the horrors of owning a body in a patriarchal society, edited by Joyce Carol Oates.
Mandatory: The Best of The Blasters (Liberation Hall). Review by Bob Pomeroy.
Feeling funky this week, Christopher Long gets his groove on while discovering a well-cared-for used vinyl copy of one of his all-time R&B faves: Ice Cream Castle, the classic 1984 LP from The Time, for just a couple of bucks.
During AFI Fest 2023, Lily and Generoso interviewed director Lkhagvadulam Purev-Ochir, whose impressive debut feature, City of Wind, carefully examines the juxtaposition between the identity of place and tradition against the powers of modernity in contemporary Mongolia.
Juliana Hatfield Sings ELO (American Laundromat Records). Review by Laura Pontillo.