Gary Lucas and Dean Bowman
Chase the Devil (Knitting Factory). Review by James Mann.
Chase the Devil (Knitting Factory). Review by James Mann.
The Unkindness of Crows (Southern Lord). Review by Matthew Moyer.
Despite a discography that would make you expect a persona along the lines of a reincarnated Captain Beefheart, in conversation, Arrington de Dionyso is polite and eager to communicate his artistic mission in as understated a manner as possible. Ink 19 caught up with the artist on a rare day off, somewhere in Texas, to speak about his new album Malaikat Dan Singa, performance, and making music to conjure spirits.
Milky Ways. (!K7 Records). Review by Carl F Gauze.
Everybody, Come Outside! (Lujo). Review by Carl F Gauze.
From The Top Of My Tree (Finding You Attractive). Review by Carl F Gauze.
Nude With Boots (Ipecac). Review by Matthew Moyer.
The Sweet Life (Sluggo’s Goon Music). Review by Carl F Gauze.
Tom Waits brought his Glitter and Doom tour to Atlanta, and James Mann lived to tell the tale. The boy is changed!
Anthology (Mute Records). Review by Matthew Moyer.
River of Crime (Cordless). Review by Carl F Gauze.
Safe As Houses (Slender Means Society). Review by Carl F Gauze.
Rumblings (Hanson). Review by Aaron Shaul.
Blood of the Ram (Eleven Thirty). Review by Sean Slone.
For a brief while, James Mann puts the old 78s down and clues us in on those few things he liked in 2003 that weren’t around in 2002.
Fear of Rehearsal. Review by Stein Haukland.
Tom “Tearaway” Schulte whips up an Outsight deluge, complete with analysis of Nick Drake, the Cramps, Betty Blowtorch, Captain Beefheart, Noam Chomsky and der Crue.
Holopaw (Sub Pop). Review by Stein Haukland.
Operators Are Standing By: The Essential Gary Lucas 1988-1996 (Knitting Factory). Review by James Mann.
Skeleton Key EP (Deltasonic). Review by Stein Haukland.
Concert addict Jeremy Glazier talked with A.J. Croce near the beginning of his year-long Croce Plays Croce tour about embracing his father’s music and his own while honoring both their familial bond and shared influences.
For Lily and Generoso, 2023 was a fantastic year at the cinema! They select and review their ten favorite films, six supplemental features, and one extraordinary repertory release seen at microcinemas, archives, and festivals.
The hidden gem of the French New Wave, Le Combat Dans L’île gets a lovely Blu-ray from Radiance Films.
This fall, Ani DiFranco brought new Righteous Babe labelmate Kristen Ford to Iowa City, where Jeremy Glazier enjoyed an incredible evening of artistry.
This week Christopher Long grabs a bag of bargain vinyl from a flea market in Mount Dora, Florida — including You’re Never Alone with a Schizophrenic, the classic 1979 LP from Ian Hunter.
Bob Pomeroy gets into four Radio Rarities from producer Zev Feldman for Record Store Day with great jazz recordings from Wes Montgomery, Les McCann, Cal Tjader, and Ahmad Jamal.
Bob Pomeroy digs into Un “Sung Stories” (1986, Liberation Hall), Blasters’ frontman Phil Alvin’s American Roots collaboration with Sun Ra and his Arkestra, the Dirty Dozen Brass Band, and New Orleans saxman Lee Allen.
Roi J. Tamkin reviews A Darker Shade of Noir, fifteen new stories from women writers completely familiar with the horrors of owning a body in a patriarchal society, edited by Joyce Carol Oates.
Mandatory: The Best of The Blasters (Liberation Hall). Review by Bob Pomeroy.
Feeling funky this week, Christopher Long gets his groove on while discovering a well-cared-for used vinyl copy of one of his all-time R&B faves: Ice Cream Castle, the classic 1984 LP from The Time, for just a couple of bucks.
During AFI Fest 2023, Lily and Generoso interviewed director Lkhagvadulam Purev-Ochir, whose impressive debut feature, City of Wind, carefully examines the juxtaposition between the identity of place and tradition against the powers of modernity in contemporary Mongolia.