- Music Reviews
- November 18, 2019
Mad Lad A Live Tribute to Chuck Berry (BMG). Review by Joe Frietze.
Wild and Free (Devious Planet). Review by Joe Frietze.
Don Felder took music fans down Eagles’ memory lane at Disney Epcot’s® Garden Rocks Concert Series, and Michelle Wilson loved every nostalgic moment of it.
Iconic store, label, & genre-maker, Wax Trax!, celebrates with a new documentary & accompanying soundtrack!
Couldn’t let 2018 get past us without a few quick takes!
Latin Bugaloo: The Warner Bros. Singles (Omnivore). Review by Bob Pomeroy.
Tampa was rockin’ with Chicago and REO Speedwagon, and Michelle Wilson was rockin’ right along with them.
A woman struggles with mental illness and gaining acceptance as a theoretical mathematician.
A documentary about the legendary chart topping band, that tries to cram a lot of history into a short running time.
Celebrating its golden 50th anniversary, legendary rock / pop / jazz combo, Chicago, returned to Melbourne, Florida’s King Center for another sold-out, hit-packed performance.
Live From The North Side Of Chicago (Rock Beat). Review by Carl F Gauze.
Reinvented. Review by Stacey Zering.
Cabaret Showtime ( Bloodshot Records). Review by James Mann.
I (Heart) Real Deep House (Tronicsole). Review by Carl F Gauze.
The iconic rock band Chicago returned recently to Florida’s Space Coast, much to the delight of Michelle Wilson and the sold-out Melbourne audience.
Heart Explosion. Review by Carl F Gauze.
Robert Lamm Songs: The JVE ReMixes (Blue Infinity/Chicago Records II). Review by Christopher Long.
Matthew Moyer declares this the best approximation of the Jesus Lizard live experience.
Chris Long goes gaga for a real band that plays real melodic, hook-laden, happy pop/rock songs with real instruments (live). What a concept. Chicago doesn’t disappoint, putting on what is, to this die-hard fan, easily the best show of the year — so far!
Insert Coin. Review by Robert Sutton.
As part of Chicago’s Wrecking Ball Punk Festival, Voice of Addiction stood out in a sea of genre-defying punk rock. Chris Catania was wooed by their rowdy rhythms.