• Waco Brothers

    Waco Brothers

    Cabaret Showtime ( Bloodshot Records). Review by James Mann.

  • Various Artists

    Various Artists

    I (Heart) Real Deep House (Tronicsole). Review by Carl F Gauze.

  • Chicago

    Chicago

    The iconic rock band Chicago returned recently to Florida’s Space Coast, much to the delight of Michelle Wilson and the sold-out Melbourne audience.

  • Sam Vicari

    Sam Vicari

    Heart Explosion. Review by Carl F Gauze.

  • John Van Eps with Robert Lamm

    John Van Eps with Robert Lamm

    Robert Lamm Songs: The JVE ReMixes (Blue Infinity/Chicago Records II). Review by Christopher Long.

  • The Jesus Lizard: Club

    The Jesus Lizard: Club

    Matthew Moyer declares this the best approximation of the Jesus Lizard live experience.

  • Chicago

    Chicago

    Chris Long goes gaga for a real band that plays real melodic, hook-laden, happy pop/rock songs with real instruments (live). What a concept. Chicago doesn’t disappoint, putting on what is, to this die-hard fan, easily the best show of the year — so far!

  • Matt Rodela

    Matt Rodela

    Insert Coin. Review by Robert Sutton.

  • Voice of Addiction

    Voice of Addiction

    As part of Chicago’s Wrecking Ball Punk Festival, Voice of Addiction stood out in a sea of genre-defying punk rock. Chris Catania was wooed by their rowdy rhythms.

  • Gayngs

    Gayngs

    A recent Gayngs concert in Chicago swept Chris Catania up in its euphoric blurring of musical lines.

  • Beats Antique

    Beats Antique

    Beats Antique brought a little bit of mystical gypsy jazz fusion to Chicago. Chris Catania found himself lost in the glorious world of belly dancing and twirling bodies.

  • Light Pollution

    Light Pollution

    Apparitions (Carpark Records). Review by Jeff Schweers.

  • Tim Fite

    Tim Fite

    Tim Fite demonstrates to a Chicago crowd that a spoonful of sugar really does help the medicine go down.

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    Christmas, It’s No Biggie (Damnably Records). Review by Bob Pomeroy.

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    Christmas Time is Here. Review by Phil Bailey.

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