Voice of Addiction
As part of Chicago’s Wrecking Ball Punk Festival, Voice of Addiction stood out in a sea of genre-defying punk rock. Chris Catania was wooed by their rowdy rhythms.
As part of Chicago’s Wrecking Ball Punk Festival, Voice of Addiction stood out in a sea of genre-defying punk rock. Chris Catania was wooed by their rowdy rhythms.
A recent Gayngs concert in Chicago swept Chris Catania up in its euphoric blurring of musical lines.
Beats Antique brought a little bit of mystical gypsy jazz fusion to Chicago. Chris Catania found himself lost in the glorious world of belly dancing and twirling bodies.
Tim Fite demonstrates to a Chicago crowd that a spoonful of sugar really does help the medicine go down.
Beach House lull a sold-out Chicago crowd into a pleasurable trance before sending them home to conjugate their shared ecstasy.
Polysics pick up where Devo left off, only they do it a whole lot weirder.
Brother Ali raps more gratitude than attitude, sending a refreshing surge of celebration through Chicago’s Metro.
Troubadour (A&M). Review by Chris Catania.
No Way Back (Mr. Knees). Review by Chris Catania.
Egress (Slanty Shanty). Review by Chris Catania.
Many Ways (Double Moon). Review by Chris Catania.
LA Heat (No Threshold). Review by Chris Catania.
Monsters & Silly Songs (Versatile ). Review by Chris Catania.
So Many Nights (Valour). Review by Chris Catania.
Go Commando (Defend). Review by Chris Catania.
Weightless (Authentic). Review by Chris Catania.
The Devil Made Me Do It (Misfits). Review by Chris Catania.
The Infamous Stringdusters (Sugar Hill). Review by Chris Catania.
Unicycle Loves You (Highwheel). Review by Chris Catania.
Science For Girls (Self-released). Review by Chris Catania.
Small-town Grand Junction, Colorado, comes out in droves to Slamming Bricks 2023, as our beloved queer community event eclipses its beginnings to command its largest audience yet. Liz Weiss reviews the performance, a bittersweet farewell both to and from the Grand Valley’s most mouthy rebel organizer, Caleb Ferganchick.
Carl F. Gauze reviews Dreamers Never Die, the loving documentary on the career of rocker extraordinaire Ronnie James Dio.
The iconic rock and roll magazine from the 1960s is back and just as relevant and snotty as ever.
This week, Christopher Long nearly fights a famed rock star in defense of his 1970s pin-up princess. To prove his point, Chris goes into his own garage and digs out his musty vinyl copy of the self-titled 1972 alt. country classic from Linda Ronstadt.
A former convict returns to London to avenge his former enemies and save his daughter. Carl F. Gauze reviews the Theater West End production of Sweeney Todd.
This week, cuddly curmudgeon Christopher Long finds himself feeling even older as he hobbles through a Florida flea market in pursuit of vinyl copies of the four infamous KISS solo albums — just in time to commemorate the set’s milestone 45th anniversary.