John Proctor Is the Villain
A complex tale of sex and morality plays out in a small southern college
A complex tale of sex and morality plays out in a small southern college
DJ Noisey travels to Israel and reports on the lively and diverse local Hip Hop scene.
The Ministry of Archers (Tooth & Nail). Review by Aaron Shaul.
The Flesh (Gern Blandsten). Review by Aaron Shaul.
Two Lefts Don’t Make A Right (Gotee Records). Review by Daniel Mitchell.
Truth, Soul, Rock & Roll (Sparrow Records). Review by Daniel Mitchell.
Remixed (Sparrow). Review by Daniel Mitchell.
Again, For the First Time (Tooth & Nail). Review by Daniel Mitchell.
Sing (Sparrow). Review by Daniel Mitchell.
Greatest Hits (Sparrow). Review by Vanessa Bormann.
Life (Sparrow). Review by Vanessa Bormann. ,
Eso Charis (Solid State). Review by Daniel Mitchell.
Hold Your Breath (Solid State / Tooth & Nail). Review by Daniel Mitchell.
Lee Ann Leach has her own slant on being a good Christian, and she’s not afraid to admit that it doesn’t always agree with the scriptures.
David T. Lindsay isn’t afraid to tell you what he believes, no matter how politically incorrect some may find his ideas.
Twenty-three years after his Sonic Recipe for Love, Steve Stav writes a playlist for the brokenhearted victims of another corporate holiday: the first Valentine’s Day of the second Trump era.
Phil Bailey reviews Rampo Noir, a four part, surreal horror anthology film based on the works of Japan’s horror legend, Edogawa Rampo.
In this latest installment of his popular weekly series, Christopher Long finds himself dumpster diving at a groovy music joint in Oklahoma City, where he scores a bagful of treasure for UNDER $20 — including a well-cared-for $3 vinyl copy of Life for the Taking, the platinum-selling 1978 sophomore set from Eddie Money.
Ink 19’s Liz Weiss spends an intimate evening with Gregory Alan Isakov.
Sharon Van Etten & The Attachment Theory (Jagjaguwar). Review by Peter Lindblad.
This week, Christopher Long goes “gaga” over discovering an ’80s treasure: an OG vinyl copy of Spring Session M, the timeless 1982 classic from Missing Persons — for just six bucks!
Both bold experiment and colossal failure in the 1960s, Esperanto language art house horror film Incubus returns with pre-_Star Trek_ William Shatner to claim a perhaps more serious audience.
You Can’t Tell Me I’m Not What I Used To Be (North & Left Records). Review by Randy Radic.