Italian cinematic scores and the pioneering work of Ennio Morricone are rever…

The album art of the new Cypress Hill release shows the members of Hill posin…

Hesher, Queens-native Chip Love, is a genre-hopper in the highest degree and …

Under-underground MC Aesop Rock’s Float begins with the terse exhalati…

Finally. An indie rap album in recent years so distinctive and shockingly def…

Apparently when Incubus “attacks” it means “plays quiet.” This six-track limi…

Cali Agents combines the best elements of West Coast independent hip-hoppers …

Kool Keith, rap’s most idiosyncratic and schizophrenic MC, has been describe…

These Orange County “g-punks” had a small but sizable jump on the current sle…

When lumped in with the scores of Alternative Nation no-hit-wonders and major…

Equal parts Steve Reich minimalist tape manipulation and Afrika Bambaataa ele…

Since Emerson, Lake, and Palmer’s classically influenced art-rock died (cultu…

Common is self-conscious with a conscience, ignoring today’s rap paradigm of …

Are you trying to “crush out” because you’re “under glass”? Are you trying to…

SX-10, the newest band to capitalize on the increasingly invasive rap-rock tr…

At the musical crossroads of Too Short’s gangsta flow, Alice Cooper’s theater…

The Deftones have always been a perpetually marginal group, notable for littl…

If Kool Keith and Slick Rick get their props for mastery of bugged-out metaph…

Phatso’s Place: Free Funky Drum Loops and Samples (Ink 19, June 2000)

If Eminem’s debut, The Slim Shady LP, was a rule-breaking, trash-t…