New York’s prog rock kingpins, Coheed and Cambria, hit a home run when their 10th anniversary Neverender tour rolled into St. Pete’s premier concert venue. Christopher Long texts his review from the cheap seats.
Circa Survive and Dredg put on a pair of performances at Orlando’s House of Blues that should officially release them from their previous emo trappings. Jen Cray reports.
Year of the Black Rainbow (Columbia Records). Review by Tim Wardyn.
Coheed & Cambria turns an Orlando audience into a bunch of security guard biting, circle pit loving maniacs, as Paul Lucas reports.
Gavin Hayes sure likes to keep busy. His band Dredg is co-headlining a U.S. tour, then touring Europe and Australia and performing with author Salman Rushdie – all by the end of the year. Tim Wardyn discussed the new album The Pariah, The Parrot, The Delusion as well as religion and families in this revealing yet intimate interview.
While recognized more for their skin-crawling costumes than for their music, Slipknot are a speed metal band worthy of a little respect – as Jen Cray discovered recently at the Orlando date of the band’s current arena tour.
The Alchemy Index Vols. III & IV Air and Earth (Vagrant). Review by Jen Cray.
Take To The Skies (Ambush Reality). Review by Jen Cray.
It’s 300 degrees in the shade, the Orlando streets are teeming with teenagers, and Jen Cray was about to throw down $6 for a Bud Light. This can only mean one thing: it’s time for another Warped Tour.
On Letting Go (Equal Vision). Review by Jen Cray.
Act II: The Meaning of, And All Things Regarding Ms. Leading (Triple Crown). Review by Jen Cray.
M(US)IC (Equal Vision). Review by Jen Cray.
The Drawn and Quartered EP (Serjical Strike). Review by Jen Cray.
2004 Warped Tour Compilation (Side One Dummy). Review by Addam Donnelly.
Terraforming (Now Or Never). Review by Addam Donnelly.
A Hostage and the Meaning of Life (Fearless). Review by Addam Donnelly.
Deja Entendu (Triple Crown). Review by Margie Libling.
truANT (DreamWorks). Review by Margie Libling.
Jen Lato describes this triple bill and the fine art of selling out – selling out the venue, that is.
Evanesce (Fearless). Review by Margie Libling.
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