The Record Company
Early Songs and Rarities (Concord Records). Review by Michelle Wilson.
Early Songs and Rarities (Concord Records). Review by Michelle Wilson.
Moonlight, Mistletoe & You (Concord Records). Review by Michelle Wilson.
Africa Speaks (Concord Records). Review by Bob Pomeroy.
Oklahoma (Concord Records). Review by Michelle Wilson.
Keep On (Concord Records). Review by James Mann.
The Big Bad Blues (Concord Records). Review by Christopher Long.
Out of the Blues (Concord Records). Review by Bob Pomeroy.
All of This Life (Concord Records). Review by Bob Pomeroy.
Signs (Concord Records). Review by Michelle Wilson.
TajMo (Concord Records ). Review by Michelle Wilson.
Rich Man (Concord Records). Review by Michelle Wilson.
Mad Men Christmas (Concord Records). Review by Scott Adams.
Fight for My Soul (Concord Records). Review by Michelle Wilson.
1619 Broadway: The Brill Building Project (Concord Records). Review by Carl F Gauze.
Hayley Sings (Concord Records). Review by Carl F Gauze.
Isn’t It Romantic? (Concord Records). Review by Christopher Long.
The Complete Reprise Recordings (Concord Records). Review by Carl F Gauze.
The Definitive Chick Corea on Stretch and Concord (Stretch Records, Concord Records). Review by Carl F Gauze.
Best of Vegas (Concord Records). Review by Al Pergande.
Genius + Soul = Jazz (Concord Records). Review by James Mann.
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.
John Wayne’s final movie sees the cowboy actor go out on a high note, in The Shootist, one of his best performances.
Get to the theater tonight for Indigo Girls: It’s Only Life After All, Alexandria Bombach’s latest documentary, one night only!
Speedfossil’s in love with a girl on the internet, on “IRL” from Room With A VU, Vol.1.