Mixtape 139 :: Moving On
The Gaslamp Killer earned his nickname by ruining the vibe of clubs in San Diego’s Gaslamp district with his incongruous DJ sets, so we must conclude those clubs were lame.
The Gaslamp Killer earned his nickname by ruining the vibe of clubs in San Diego’s Gaslamp district with his incongruous DJ sets, so we must conclude those clubs were lame.
Australian singer/songwriter Pamela Claire discusses her eclectic roots.
The legendary 83 year old bluesman can still command a stage, says Roi Tamkin.
The purveyors of prog, Yes, prevailed, producing an impressive Melbourne, Florida performance that Christopher Long was witness to.
Chicken Heads: A 50-Year History of Bobby Rush ( Omnivore Recordings). Review by James Mann.
Howard Jones- The Songs, the Piano and the Stories. Michelle Wilson catches Hojo and comes away impressed!
Live in 1967 (Forty Below Records). Review by James Mann.
A “noncooperative” documentary follows the life and career of Eric Clapton from the breakup of the Yardbirds until the 1970s.
Feels So Good ( TRC Records). Review by James Mann.
Born Under a Bad Sign (Stax). Review by James Mann.
Live at Legends (Silvertone/RCA). Review by Joe Frietze.
Lucy & Wayne and The Amairican Stream (). Review by James Mann.
Eric Clapton and the 1960s – Carl F Gauze thinks that’s the epitome of Classic Rock.
Elianne Halbersberg has an insightful conversation with Taddy Porter’s quite punctual Kevin Jones.
After 30 years in the music industry, producer, songwriter and musician Larry Dvoskin has released a set of his own music. Gail Worley finds out why it took so long.
Eric Clapton plays his hits at the 1986 Montreux Jazz Festival, and the glare of perfection is too much for Carl F Gauze’s eyes.
Dear Independence (Tvt). Review by Jen Cray.
Matt Parish sees if Tony Palmer’s trailblazing “rockumentary” on the sounds of the Sixties has stood the test of time.
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.
John Wayne’s final movie sees the cowboy actor go out on a high note, in The Shootist, one of his best performances.
Get to the theater tonight for Indigo Girls: It’s Only Life After All, Alexandria Bombach’s latest documentary, one night only!
Speedfossil’s in love with a girl on the internet, on “IRL” from Room With A VU, Vol.1.