Mixtape 139 :: Moving On
The Gaslamp Killer earned his nickname by ruining the vibe of clubs in San Diego’s Gaslamp district with his incongruous DJ sets, so we must conclude those clubs were lame.
The Gaslamp Killer earned his nickname by ruining the vibe of clubs in San Diego’s Gaslamp district with his incongruous DJ sets, so we must conclude those clubs were lame.
Australian singer/songwriter Pamela Claire discusses her eclectic roots.
The legendary 83 year old bluesman can still command a stage, says Roi Tamkin.
The purveyors of prog, Yes, prevailed, producing an impressive Melbourne, Florida performance that Christopher Long was witness to.
Chicken Heads: A 50-Year History of Bobby Rush ( Omnivore Recordings). Review by James Mann.
Howard Jones- The Songs, the Piano and the Stories. Michelle Wilson catches Hojo and comes away impressed!
Live in 1967 (Forty Below Records). Review by James Mann.
A “noncooperative” documentary follows the life and career of Eric Clapton from the breakup of the Yardbirds until the 1970s.
Feels So Good ( TRC Records). Review by James Mann.
Born Under a Bad Sign (Stax). Review by James Mann.
Live at Legends (Silvertone/RCA). Review by Joe Frietze.
Lucy & Wayne and The Amairican Stream (). Review by James Mann.
Eric Clapton and the 1960s – Carl F Gauze thinks that’s the epitome of Classic Rock.
Elianne Halbersberg has an insightful conversation with Taddy Porter’s quite punctual Kevin Jones.
After 30 years in the music industry, producer, songwriter and musician Larry Dvoskin has released a set of his own music. Gail Worley finds out why it took so long.
Eric Clapton plays his hits at the 1986 Montreux Jazz Festival, and the glare of perfection is too much for Carl F Gauze’s eyes.
Dear Independence (Tvt). Review by Jen Cray.
Matt Parish sees if Tony Palmer’s trailblazing “rockumentary” on the sounds of the Sixties has stood the test of time.
Just in time for the heavy metal Christmas shopping season, European author Alexandros Anesiadis delivers his latest — a thorough and riveting encyclopedia-type account of the hard-working DIY American bands that created an important underground music scene that’s well worth remembering.
In a beautiful testament to Peter Weir’s vision, the director’s 1985 classic, Witness, gets a fresh restoration from Arrow Video.
Ready for a cold one this season? We thought so! Enjoy, as Christopher Long reflects on his favorite VINYL releases of 2023 — an intoxicating (and satisfying) “six-pack,” to be sure.
Concert addict Jeremy Glazier talked with A.J. Croce near the beginning of his year-long Croce Plays Croce tour about embracing his father’s music and his own while honoring both their familial bond and shared influences.
For Lily and Generoso, 2023 was a fantastic year at the cinema! They select and review their ten favorite films, six supplemental features, and one extraordinary repertory release seen at microcinemas, archives, and festivals.
The hidden gem of the French New Wave, Le Combat Dans L’île gets a lovely Blu-ray from Radiance Films.
This fall, Ani DiFranco brought new Righteous Babe labelmate Kristen Ford to Iowa City, where Jeremy Glazier enjoyed an incredible evening of artistry.
This week Christopher Long grabs a bag of bargain vinyl from a flea market in Mount Dora, Florida — including You’re Never Alone with a Schizophrenic, the classic 1979 LP from Ian Hunter.
Bob Pomeroy gets into four Radio Rarities from producer Zev Feldman for Record Store Day with great jazz recordings from Wes Montgomery, Les McCann, Cal Tjader, and Ahmad Jamal.
Bob Pomeroy digs into Un “Sung Stories” (1986, Liberation Hall), Blasters’ frontman Phil Alvin’s American Roots collaboration with Sun Ra and his Arkestra, the Dirty Dozen Brass Band, and New Orleans saxman Lee Allen.