Mixtape 139 :: Moving On
The Gaslamp Killer earned his nickname by ruining the vibe of clubs in San Diego’s Gaslamp district with his incongruous DJ sets, so we must conclude those clubs were lame.
The Gaslamp Killer earned his nickname by ruining the vibe of clubs in San Diego’s Gaslamp district with his incongruous DJ sets, so we must conclude those clubs were lame.
Australian singer/songwriter Pamela Claire discusses her eclectic roots.
The legendary 83 year old bluesman can still command a stage, says Roi Tamkin.
The purveyors of prog, Yes, prevailed, producing an impressive Melbourne, Florida performance that Christopher Long was witness to.
Chicken Heads: A 50-Year History of Bobby Rush ( Omnivore Recordings). Review by James Mann.
Howard Jones- The Songs, the Piano and the Stories. Michelle Wilson catches Hojo and comes away impressed!
Live in 1967 (Forty Below Records). Review by James Mann.
A “noncooperative” documentary follows the life and career of Eric Clapton from the breakup of the Yardbirds until the 1970s.
Feels So Good ( TRC Records). Review by James Mann.
Born Under a Bad Sign (Stax). Review by James Mann.
Live at Legends (Silvertone/RCA). Review by Joe Frietze.
Lucy & Wayne and The Amairican Stream (). Review by James Mann.
Eric Clapton and the 1960s – Carl F Gauze thinks that’s the epitome of Classic Rock.
Elianne Halbersberg has an insightful conversation with Taddy Porter’s quite punctual Kevin Jones.
After 30 years in the music industry, producer, songwriter and musician Larry Dvoskin has released a set of his own music. Gail Worley finds out why it took so long.
Eric Clapton plays his hits at the 1986 Montreux Jazz Festival, and the glare of perfection is too much for Carl F Gauze’s eyes.
Dear Independence (Tvt). Review by Jen Cray.
Matt Parish sees if Tony Palmer’s trailblazing “rockumentary” on the sounds of the Sixties has stood the test of time.
Twenty-three years after his Sonic Recipe for Love, Steve Stav writes a playlist for the brokenhearted victims of another corporate holiday: the first Valentine’s Day of the second Trump era.
Phil Bailey reviews Rampo Noir, a four part, surreal horror anthology film based on the works of Japan’s horror legend, Edogawa Rampo.
In this latest installment of his popular weekly series, Christopher Long finds himself dumpster diving at a groovy music joint in Oklahoma City, where he scores a bagful of treasure for UNDER $20 — including a well-cared-for $3 vinyl copy of Life for the Taking, the platinum-selling 1978 sophomore set from Eddie Money.
Ink 19’s Liz Weiss spends an intimate evening with Gregory Alan Isakov.
Sharon Van Etten & The Attachment Theory (Jagjaguwar). Review by Peter Lindblad.
This week, Christopher Long goes “gaga” over discovering an ’80s treasure: an OG vinyl copy of Spring Session M, the timeless 1982 classic from Missing Persons — for just six bucks!
Both bold experiment and colossal failure in the 1960s, Esperanto language art house horror film Incubus returns with pre-_Star Trek_ William Shatner to claim a perhaps more serious audience.
You Can’t Tell Me I’m Not What I Used To Be (North & Left Records). Review by Randy Radic.