Joanna Sternberg
I Got Me. Review by Ian Koss.
I Got Me. Review by Ian Koss.
Joe Jack Talcum sings Railroad Bill and Other Songs. Review by Julius C. Lacking.
MITH (Jagjaguwar). Review by James Mann.
“Ring Spiel” Tour ‘95 (Columbia Records). Review by James Mann.
ST (Big Legal Mess Records ). Review by James Mann.
Get your crazy font on, with Andy Miller’s collection of wall-ready poster art inspired by indie rock music.
Larry “Wild Man” Fischer went from paranoid street performer to the “Godfather of Outsider Music.” Derailroaded captures the fine line between madness and art, but James Mann wonders – at what cost?
Is and Always Was (High Wire Music). Review by James Mann.
Hippies (Matador). Review by Matthew Moyer.
Sad Man Happy Man (ATO Records). Review by Tim Wardyn.
The return of anti-folk master Paleface piqued the interest of few in Orlando, but those who did turn out for his intimate, late-night performance on a frigid winter night were treated to a rare moment of musical beauty.
Chris Catania has a candid talk with Daniel Johnston , musician, artist, and most recently, the inspiration behind Infernal Bridegroom’s rock opera, Speeding Motorcycle.
Chris Catania braved Chicago’s blizzarded streets to get a dose of Daniel Johnston’s therapy.
Personal Stereo (Beatservice). Review by Aaron Shaul.
Okay (Bluesanct). Review by Matthew Moyer.
To Go Home (Merge). Review by Aaron Shaul.
The Tallest Man on Earth (Gravitation). Review by Aaron Shaul.
Superfine (Public Eyesore). Review by Matthew Moyer.
Nowhere Sometimes (Epliglotic). Review by Eric J. Iannelli.
Twenty-three years after his Sonic Recipe for Love, Steve Stav writes a playlist for the brokenhearted victims of another corporate holiday: the first Valentine’s Day of the second Trump era.
Phil Bailey reviews Rampo Noir, a four part, surreal horror anthology film based on the works of Japan’s horror legend, Edogawa Rampo.
In this latest installment of his popular weekly series, Christopher Long finds himself dumpster diving at a groovy music joint in Oklahoma City, where he scores a bagful of treasure for UNDER $20 — including a well-cared-for $3 vinyl copy of Life for the Taking, the platinum-selling 1978 sophomore set from Eddie Money.
Ink 19’s Liz Weiss spends an intimate evening with Gregory Alan Isakov.
Sharon Van Etten & The Attachment Theory (Jagjaguwar). Review by Peter Lindblad.
This week, Christopher Long goes “gaga” over discovering an ’80s treasure: an OG vinyl copy of Spring Session M, the timeless 1982 classic from Missing Persons — for just six bucks!
Both bold experiment and colossal failure in the 1960s, Esperanto language art house horror film Incubus returns with pre-_Star Trek_ William Shatner to claim a perhaps more serious audience.
You Can’t Tell Me I’m Not What I Used To Be (North & Left Records). Review by Randy Radic.