Wolverine
Cold Light of Monday (Earache Records). Review by Daniel Mitchell.
Cold Light of Monday (Earache Records). Review by Daniel Mitchell.
Cold Light of Monday (Earache Records). Review by Daniel Mitchell.
Into Oblivion (Retribute). Review by Daniel Mitchell.
Limbonic Art (Candlelight). Review by Daniel Mitchell.
Humanracist (Blackened). Review by Daniel Mitchell.
Diabolis Interium (No Fashion). Review by Daniel L. Mitchell.
Monument Of Death (Hammerheart). Review by Daniel Mitchell.
If a band takes its name from a Robert E. Howard tale, they’d better have some epic lyrical battlescapes to back it up. Symphonic metal masters Bal-Sagoth deliver on the promise of their name. David Lee Beowulf talks with swordsman – er, frontman Byron about Howard, weaponry, and metal!
Vobiscum Satanas (Metal Blade/House of Fashion/No Kicks). Review by David Lee Beowülf
The Secrets of the Black Arts (Death). Review by David Lee Beowülf
Lilys’ East Coast tour begins February 10, 2023, and will include shows in Philadelphia, Baltimore, New York City, and more.
Soul’d Out: The Complete Wattstax Collection overwhelms Carl F. Gauze with 12 music CDs reprising the 1972 benefit concert to rebuild Watts, Los Angeles, seven years after the riot.
OG Skate Rock Band JFA Is Back With Its First Studio Album In Way Too Long, The Last Ride, out May 2023.
Elizabeth Moen may have started life with Midwest roots, but the singer-songwriter’s incredible talent has taken her to the international stage. Jeremy Glazier talks with the Iowa songbird on today’s episode.
Rifling through a boxful of ravaged old records, Christopher Long locates a flea market LP copy of the Ozark Mountain Daredevils Don’t Look Down — for a quarter — and speaks with the band’s co-founding bassist, Michael “Supe” Granda, about his amazing discovery.
Winter Park Playhouse regular Carl F. Gauze enjoys Tales from a Hopeful Romantic, a musically outstanding love story, courtesy of spotlight chanteuse Tay Anderson.
Blood, guts, and kicking butt in France — it’s the age-old story of Shakespeare. Carl F. Gauze once again enjoys the salacious violence and complicated plot points of Henry V, in the moody dark of Orlando Shakes.
Infidelity, agoraphobia and Ice Capades. Carl F. Gauze attempts to find an answer to the question “How Florida can you get?” in The Great American Trailer Park Musical at Theater West End.
Jeremy Glazier catches Ian Noe at the Rust Belt, where they discuss putting Between the Country together, some of the influences that affect Noe’s songwriting, and his dislike of EPs.