Dead Can Dance
Dionysus (PIAS). Review by Julius C. Lacking.
Tag: Dead Can Dance
Spahn Ranch
Back to the Woods (Dais Records). Review by Scott Adams.
Faun Fables
Flutes, leather vests on bare skin, werewolf songs, and kids on stage. It’s not your average recipe for a rock show, but then, as Matthew Moyer points out, Faun Fables is not a rock band.
Prince Rama
Far from being overly-serious and wonkish, Matthew Moyer finds Taraka and Nimai Larson (Prince Rama) to be funny, sarcastic, and in possession of minds that race from one idea to the next.
Zola Jesus
Zola Jesus creates a surreal and magical concert experience, Jen Cray learned at the songstress’ first ever Orlando date.
Zola Jesus
Conantus (Sacred Bones). Review by Jen Cray.
High Places
High Places (Thrill Jockey). Review by Matthew Moyer.
Lurker of Chalice
Lurker of Chalice (Southern Lord). Review by Matthew Moyer.
Lycia
Cold (Silber Records). Review by Matthew Moyer.
Lycia
The Burning Circle And Then Dust (Silber). Review by Matthew Moyer.
ASVA
Futurists Against The Ocean (Mimicry Records). Review by Matthew Moyer.
Peccatum
The Moribund People (The End Records). Review by Matthew Moyer.
Jarboe
Thirteen Masks (Atavistic). Review by Matthew Moyer.
Lunascape
Reminiscence (Noir). Review by Kiran Aditham.
Legendary Pink Dots
Whispering Wall (ROIR). Review by Matthew Moyer.
Young Gods
Second Nature (Ipecac Records). Review by Matthew Moyer.
The Blood Group
Volunteers (Le Grand Magistery). Review by Matthew Moyer.
Black Tape for a Blue Girl
The Scavenger Bride (Projekt). Review by Kiran Aditham.
black tape for a blue girl
Dave Aftandilian plays “20 Questions” with black tape for a blue girl (and Projekt Records) main man Sam Rosenthal, for an in-depth look at their new album, the scavenger bride.
Rajna
Ishati (Projekt). Review by Dave Aftandilian.
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