Death Cab For Cutie
Transatlanticism (Barsuk). Review by Aaron Shaul.
Transatlanticism (Barsuk). Review by Aaron Shaul.
The Summer of the Lion, The Summer of the Lamb (We Want Action). Review by Aaron Shaul.
Goodbye my Four Track (Pandacide). Review by Dan Stapleton.
Comedy Horn (Post-Parlo). Review by Aaron Shaul.
Give Up (Sub Pop). Review by Carl Glaser.
Slow Reader (Fueled By Ramen). Review by Daniel Mitchell.
¡All-Time Quarterback! (Barsuk). Review by Eric J. Iannelli.
Songs About Leaving (Sad Robot). Review by Eric J. Iannelli.
Bridges Worth Burning (Barsuk). Review by Eric J. Iannelli.
Home of the Cannon Saints (Arborvitae). Review by Terry Eagan.
The Photo Album (limited edition) (Barsuk Records). Review by Eric J. Iannelli.
Places I Haven’t Seen (Casa). Review by Marcel Feldmar.
Euphemystic (Saddle Creek). Review by Marcel Feldmar.
Hold My Breath (Catapult). Review by Terry Eagan.
The Headless Horseman is a Preacher (Smokeylung). Review by Marcel Feldmar.
Sometimes CDs are just too short. Three brand new songs just playing with you…
Death Cab for Cutie’s new EP may only have five songs on it, but it hardly ge…
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.
John Wayne’s final movie sees the cowboy actor go out on a high note, in The Shootist, one of his best performances.
Get to the theater tonight for Indigo Girls: It’s Only Life After All, Alexandria Bombach’s latest documentary, one night only!
Speedfossil’s in love with a girl on the internet, on “IRL” from Room With A VU, Vol.1.