Islands (Labrador Records). Review by Matthew Moyer.

Killer Lake (Infintesmal). Review by Matthew Moyer.

Psychic Chasms (Lefse Records). Review by Matthew Moyer.

Priceless Concrete Echoes (Citizen). Review by Matthew Moyer.

Does You Inspire You (Columbia). Review by Matthew Moyer.

Two similar and familiar bands collided as The Faint and Ladytron shared a co-headlining bill that included a pair of sold-out stops in New York City. With more black attire and keyboards than one could count, the two acts offered career-spanning setlists filled with their distinctive synth-pop, post-punk and new-wave sounds. Kiran Aditham witnessed night two of the dark, dancefloor delights for himself.

Oracular Spectacular (Columbia). Review by Matthew Moyer.

Make Sure They See My Face (Interscope). Review by Kiran Aditham.

Stop Heartbeat (Common Wall Media). Review by Matthew Moyer.

My Favorite Kind of Irrelevance - The Best of Metamatics and Norken (Hydrogen Dukebox Records). Review by Al Pergande.

RJ Bowen knows that She Wants Revenge is a dish best served cold at the Club@Firestone in Orlando. Wait, that makes no sense whatsoever…

Tohuvabohu (Metropolis). Review by Jorge C. Galban.

Bodypop (Metropolis Records). Review by Jorge C. Galban.

Night of the Furies (Merge). Review by Aaron Shaul.

We Collide (Konigskinder). Review by Jorge C. Galban.

Light At The End of The World (Mute). Review by Jen Cray.

David Waxman Presents Ultra Electro (Ultra). Review by Kiran Aditham.

As We Fall (Metropolis). Review by Jorge C. Galban.

The Ministry of Archers (Tooth & Nail). Review by Aaron Shaul.

Incarnation (Hydrology). Review by Kyrby Raine.