In My Eyes: Photographs 1982-1997
Jim Saah documented the D.C. hardcore scene with training from a high school photography class, capturing energy and excitement with a natural sense of technique and art.
Jim Saah documented the D.C. hardcore scene with training from a high school photography class, capturing energy and excitement with a natural sense of technique and art.
Documentary on the Washington, D.C. punk scene, with a focus on the earlier years.
Coriky (Dischord). Review by Scott Adams.
Autoclave (Dischord). Review by Carl F. Gauze.
S/T (Dischord). Review by Scott Adams.
Lydia Lunch’s Retrovirus brings a bunch of No Wave scalawags to Orlando for an evening of wry smiles, potty mouth commentary, and tattoo licking. Steven Garnett reports from the pit of Will’s Pub.
Companion photo book to the documentary Salad Days, an exploration of Washington DC’s trailblazing hardcore punk scene.
The guys of Interpol look and sound great in concert, but remind Jen Cray of a bunch of Ken dolls when onstage.
Ambient Metals (Dischord). Review by Stein Haukland.
Rufio EP (Nitro Records). Review by Daniel Mitchell.
Is DIY dead? No, it’s just a bit more convoluted. In Label Launch, Veronika Kalmar attempts to demystify the process of putting out your own record. Rob Walsh has a look.
The Embassy Tapes (Dischord). Review by Jason Rockhill.
Necrophones (Dischord). Review by Jason Rockhill.
The View From This Tower (Dischord). Review by Jason Rockhill.
Instrument (Dischord). Review by Keith Mercer
Instrument (Dischord). Review by Tom Minarchick
Join Us (Dischord). Review by Andrew Chadwick
End Hits (Dischord). Review by Keith Mercer
End Hits (Dischord). Review by T.J. Stankus
Con Art (Dischord). Review by T.J. Stankus
40 years on, Michael Gira and Swans continue to bring a ritualistic experience that needs to be heard in order to be believed. Featured photo by Reese Cann.
The biggest astronomical event of the decade coincides with a long overdue trip to Austin, Texas.
Sofia and Louise have just graduated nursing school. They have no idea what they’ve signed up for.
At the Showcase: Live in Chicago 1976/1977 (Jazz Detective). Review by Bob Pomeroy.
Atlantis Lullaby: The Concert in Avignon (Elemental Music). Review by Bob Pomeroy.
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.