Lee Scratch Perry
Panic in Babylon (Narnack). Review by Aaron Shaul.
Panic in Babylon (Narnack). Review by Aaron Shaul.
<i>Apropa’t</i> (Warp). Review by <b>Bill Campbell</b>.
Apropa’t (Warp). Review by Bill Campbell.
Storm the Studio R.M.X.S. (Tino Corp.). Review by Stein Haukland.
Under the Influence (Six Degrees). Review by Bill Campbell.
Various Artists (Musicrama). Review by Bill Campbell.
Masters Of Percussion (Narada World). Review by Bill Campbell.
Being Black (Waxploitation / Spun). Review by Bill Campbell.
Heavyweight Soundclash (Shadow). Review by Bill Campbell.
Redesign (Six Degrees). Review by Bill Campbell.
Modern Mantra (Shadow). Review by Bill Campbell.
In @ the Deep End (Good Looking). Review by Bill Campbell.
Cross-Pollination (Analysis). Review by Bill Campbell.
LTJ Bukem with DJ Spooky at The 9:30 Club in Washington, DC on December 15, 2001. Concert review by Bill Campbell.
Clickhop Version 1.0 (Mille Plateaux). Review by Bill Campbell.
Various Artists (The Beggars Group). Review by Kiran Aditham.
DJ Spooky with Q-Burn’s Abstract Message at the Sapphire Supper Club in Orlando, FL on February 21, 2001. Concert review by Nirav Soni.
Interview by Nirav Soni
Riddim Warfare (Outpost). Review by Steven Garnett
Small-town Grand Junction, Colorado, comes out in droves to Slamming Bricks 2023, as our beloved queer community event eclipses its beginnings to command its largest audience yet. Liz Weiss reviews the performance, a bittersweet farewell both to and from the Grand Valley’s most mouthy rebel organizer, Caleb Ferganchick.
Carl F. Gauze reviews Dreamers Never Die, the loving documentary on the career of rocker extraordinaire Ronnie James Dio.
The iconic rock and roll magazine from the 1960s is back and just as relevant and snotty as ever.
This week, Christopher Long nearly fights a famed rock star in defense of his 1970s pin-up princess. To prove his point, Chris goes into his own garage and digs out his musty vinyl copy of the self-titled 1972 alt. country classic from Linda Ronstadt.
A former convict returns to London to avenge his former enemies and save his daughter. Carl F. Gauze reviews the Theater West End production of Sweeney Todd.
This week, cuddly curmudgeon Christopher Long finds himself feeling even older as he hobbles through a Florida flea market in pursuit of vinyl copies of the four infamous KISS solo albums — just in time to commemorate the set’s milestone 45th anniversary.