Social Distortion
Social Distortion plays to yet another sold-out crowd 25 years into their career. Thus proving conclusivelly, to Jen Cray and all that Punk is not dead.
Social Distortion plays to yet another sold-out crowd 25 years into their career. Thus proving conclusivelly, to Jen Cray and all that Punk is not dead.
Within a Mile of Home (SideOneDummy). Review by Daniel Mitchell.
Leaving the Ways (Side One Dummy Records). Review by Jen Cray.
Insobriety & Insubordination (Signal Path Records). Review by Daniel Mitchell.
<i>In Concert Live In Galway</i> (Shamtown). Review by <b>Carl F Gauze</b>.
In Concert Live In Galway (Shamtown). Review by Carl F Gauze.
Out & Aboot (Honest Dons). Review by Troy Jewell.
Compilation (Epitaph). Review by Troy Jewell.
Mike McColgan left the Dropkick Murphys to become a Boston firefighter. His tenure with the Street Dogs marks his return to punk rawk. And now he’s sharing his experiences from the past six years with Rob Walsh.
Dropkick Murphys’ bassist Ken Casey talks with Rob Walsh about nearly eight years of giving a voice to the man on the street.
Committed to a Bright Future (Spitfire). Review by Daniel Mitchell.
Purgatory (Thick Records). Review by Rob Walsh.
Various Artists (GMM). Review by Brian Kruger.
The Horns of Hattin (GMM). Review by David Lee Beowulf.
Various Artists (Epitaph). Review by Brian Kruger.
Sean Carswell caught an incredible double bill of energetic punk rock at DIY Records in Orlando on April 21, 2000. Where were you when the Beltones and the Hudson Falcons were tearing the house down?
Event Review by Brian Kruger
The Gang’s All Here (Hellcat). Review by Julio Diaz
Do or Die (Hellcat). Review by David Lee Beowülf
For Lily and Generoso, 2023 was a fantastic year at the cinema! They select and review their ten favorite films, six supplemental features, and one extraordinary repertory release seen at microcinemas, archives, and festivals.
The hidden gem of the French New Wave, Le Combat Dans L’île gets a lovely Blu-ray from Radiance Films.
This fall, Ani DiFranco brought new Righteous Babe labelmate Kristen Ford to Iowa City, where Jeremy Glazier enjoyed an incredible evening of artistry.
This week Christopher Long grabs a bag of bargain vinyl from a flea market in Mount Dora, Florida — including You’re Never Alone with a Schizophrenic, the classic 1979 LP from Ian Hunter.
Bob Pomeroy gets into four Radio Rarities from producer Zev Feldman for Record Store Day with great jazz recordings from Wes Montgomery, Les McCann, Cal Tjader, and Ahmad Jamal.
Bob Pomeroy digs into Un “Sung Stories” (1986, Liberation Hall), Blasters’ frontman Phil Alvin’s American Roots collaboration with Sun Ra and his Arkestra, the Dirty Dozen Brass Band, and New Orleans saxman Lee Allen.
Roi J. Tamkin reviews A Darker Shade of Noir, fifteen new stories from women writers completely familiar with the horrors of owning a body in a patriarchal society, edited by Joyce Carol Oates.
Mandatory: The Best of The Blasters (Liberation Hall). Review by Bob Pomeroy.
Feeling funky this week, Christopher Long gets his groove on while discovering a well-cared-for used vinyl copy of one of his all-time R&B faves: Ice Cream Castle, the classic 1984 LP from The Time, for just a couple of bucks.
During AFI Fest 2023, Lily and Generoso interviewed director Lkhagvadulam Purev-Ochir, whose impressive debut feature, City of Wind, carefully examines the juxtaposition between the identity of place and tradition against the powers of modernity in contemporary Mongolia.
Juliana Hatfield Sings ELO (American Laundromat Records). Review by Laura Pontillo.