Ben Watt
Hendra (Unmade Road). Review by Michelle Wilson.
Hendra (Unmade Road). Review by Michelle Wilson.
Tinsel and Lights (Merge Records). Review by Matthew Moyer.
The Five Ghosts (Vagrant). Review by Sean Slone.
Way To Blue (Island). Review by Ben Varkentine.
Guestroom (Minty Fresh). Review by Sean Slone.
Music For Elevators (Beautiful Is As Beautiful Does). Review by Julio Diaz.
Power Ballads (Marina). Review by Ben Varkentine.
Re-Release (Nite Grooves). Review by Vanessa Bormann.
Short-Staffed at the Gene Pool (Thirsty Ear). Review by Julio Diaz.
Tears All Over Town (Le Grand Magistery). Review by Marcel Feldmar.
The Impossible Thrill (Astralwerks). Review by Terry Eagan.
Finnish indie popsters Cessna explore their Loves, Longings, and Regrets on their newest album for Radio Khartoum, but it took Andrew Muzyk to discover why Kimmo and Sami don’t sing in Finnish and why they compare their music to a kaleidoscope.
Solace (V2). Review by Kiran Aditham.
Today’s Smmoth Jazz Roundup is a collection of short reviews of easy-to-listen-to jazz.
In Perfect Harmony: The Lost Album (Jazz Detective). Review by Bob Pomeroy.
The Mighty Warriors: Live in Antwerp (Elemental Music). Review by Bob Pomeroy.
40 years on, Michael Gira and Swans continue to bring a ritualistic experience that needs to be heard in order to be believed. Featured photo by Reese Cann.
The biggest astronomical event of the decade coincides with a long overdue trip to Austin, Texas.
Sofia and Louise have just graduated nursing school. They have no idea what they’ve signed up for.
At the Showcase: Live in Chicago 1976/1977 (Jazz Detective). Review by Bob Pomeroy.
Atlantis Lullaby: The Concert in Avignon (Elemental Music). Review by Bob Pomeroy.
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.