Tomahawk
Oddfellows (Ipecac). Review by Jason O’Neal Griggs.
Oddfellows (Ipecac). Review by Jason O’Neal Griggs.
Our Puzzling Encounters Considered (Metal Blade Records). Review by Matthew Moyer.
Dancehall Grind (Super Hit Jam). Review by Matthew Moyer.
Suspended Animation (Ipecac). Review by Kiran Aditham.
III (At A Loss Recordings). Review by Matthew Moyer.
26 Songs (Ipecac Records). Review by Matthew Moyer.
Delerium Cordia (Ipecac). Review by Sir Millard Mulch.
Delerium Cordia (Ipecac). Review by Sir Millard Mulch.
The Melvins at the Cow Haus in Tallahassee, FL on June 8, 2002. Concert review by Matthew Moyer. Photos by Heather Lorusso.
The Coma Imprint (Lakeshore). Review by Stein Haukland.
Wanna Buy a Monkey? – A Mixtape Session (Sequence). Review by Julio Diaz.
The Director’s Cut (Ipecac). Review by David Lee Beowulf.
Fantomas (Ipecac). Review by Tom Minarchick
Fantomas (Ipecac). Review by Ed Furniture
40 years on, Michael Gira and Swans continue to bring a ritualistic experience that needs to be heard in order to be believed. Featured photo by Reese Cann.
The biggest astronomical event of the decade coincides with a long overdue trip to Austin, Texas.
Sofia and Louise have just graduated nursing school. They have no idea what they’ve signed up for.
At the Showcase: Live in Chicago 1976/1977 (Jazz Detective). Review by Bob Pomeroy.
Atlantis Lullaby: The Concert in Avignon (Elemental Music). Review by Bob Pomeroy.
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.