Luchadora!
A young lady gets hit with the magical power of masked wrestling. Carl F. Gauze reviews Luchadora! at the Orlando Rep.
A young lady gets hit with the magical power of masked wrestling. Carl F. Gauze reviews Luchadora! at the Orlando Rep.
Fly On The Wall. (Local Woman Records) Review by Carl F. Gauze.
Historical women and modern problems weave together to tell a larger story.
Dreamers (Invogue Records). Review by Al Pergande.
Sound of the Westway (Slumberland). Review by Matthew Moyer.
Tall Shoulders (Whale Heart). Review by Carl F Gauze.
Run Where No One Goes (Mermaid Records). Review by Carl F Gauze.
Lilith 2010 Tour Compilation (RCA/Jive/Sony Music). Review by Carl F Gauze.
My Glass Eye (Stiff Hips Music). Review by Carl F Gauze.
Von Iva (Cochon). Review by Aaron Shaul.
You’rNext (Small Stone). Review by Aaron Shaul.
School of Etiquette (Alive). Review by Aaron Shaul.
This week, cuddly curmudgeon Christopher Long finds himself feeling even older as he hobbles through a Florida flea market in pursuit of vinyl copies of the four infamous KISS solo albums — just in time to commemorate the set’s milestone 45th anniversary.
Starting with small-time jobs, two gangsters take over all the crime in Marseilles in this well-paced and entertaining French film. Carl F. Gauze reviews the freshly released Arrow Video Blu-ray edition of Borsalino (1970).
Aaron Tanner delivers 400 pages of visual delights from the ever-enigmatic band, The Residents, in The Residents Visual History Book: A Sight for Sore Eyes, Vol. 2.
Two teenage boys build a sexy computer girlfriend with an 8-bit computer… you know the story. Carl F. Gauze reviews Weird Science (1985), in a new 4K UHD Blu-ray release from Arrow Films.
Cauldron Films’ new UHD/Blu-ray release of Lucio Fulci’s City of the Living Dead (1980) preserves one of the best Italian horror films, according to Phil Bailey.
Marleen Gorris’s first theatrical feature is a potent feminist look at the easily disposable lives of sex workers in Amsterdam. Phil Bailey reviews Broken Mirrors.
Late bloomer Tony Bowman spins a tale of past decades with a Jimmy Buffett soundtrack.