They Might Be Giants
Nanobots (Idlewild). Review by Eric J. Iannelli.
Nanobots (Idlewild). Review by Eric J. Iannelli.
Antelope Freeway/Equinox Express Elevator (Impulse! ). Review by James Mann.
Mayer Hawthorne and The Stepkids bring the white guy soul funk to Orlando, and Jared Campbell explodes (in more ways than one).
The legendary Tom Waits ain’t what he appears to be. James Mann digs deep to find the mystery behind the man.
Race Riot Suite (Kinnara Records). Review by James Mann.
Scandinavian Nights, in Concert 1970-1972, Live in London, and MK III: The Final Concerts (Eagle Rock Entertainment). Review by Al Pergande.
Shamen Noodles / Smell The Busk. Review by James Mann.
If Not Now, When? (Epic Records). Review by Eli Didier.
Niandra Lades and Usually Just a T-Shirt (American Recordings). Review by Eli Didier.
Larry “Wild Man” Fischer went from paranoid street performer to the “Godfather of Outsider Music.” Derailroaded captures the fine line between madness and art, but James Mann wonders – at what cost?
DJ-Kicks (!K7 Records). Review by Carl F Gauze.
Essra Mohawk / Primordial Lovers (Collector’s Choice Music). Review by Carl F Gauze.
Sandy’s Album Is Here At Last! (Collector’s Choice Music). Review by Carl F Gauze.
Milky Ways. (!K7 Records). Review by Carl F Gauze.
An Introduction to Bill Bruford’s Winterfold Records (Winterfold). Review by Carl F Gauze.
Gail Worley finds drummer Chris Pennie of Coheed & Cambria to be one rad guy.
Madvillainy 2 (Stones Throw). Review by S D Green.
Oh Hell…Just Throw ‘Em All On There (Darin Di Pietro /BMI). Review by Carl F Gauze.
The Sweet Life (Sluggo’s Goon Music). Review by Carl F Gauze.
Sanders’ Truckstop and Beer Cans On The Moon (Collectors’ Choice Music). Review by Matthew Moyer.
Alfred Sole’s Alice, Sweet Alice is a very Generation X movie, mirroring our 1970s lives in important and disturbing ways. Phil Bailey reviews the new 4K UHD version.
In 1977, Here at Last… Bee Gees …Live cemented the Bee Gees’ budding reputation as world-class master songsmiths. 46 years later, longtime Ink 19 writer Christopher Long nabs a well-loved $6 vinyl copy at a Florida flea market — replacing his long-loved and lost-to-the-ages original record.
All-American music legend Bonnie Raitt played the Riverwind Casino Showplace Theatre in Norman, Oklahoma, recently while on her Live 2025 international concert tour. Longtime Ink 19 contributor Christopher Long was there and got the goods.
“Little Dreaming” (Darkroom / Polydor / Capitol). Review by Danielle Holian.
Everything Changes, Everything Stays the Same (Tapete Records). Review by Peter Lindblad.
Stories I Only Tell My Friends (Blackbird Records). Review by Bob Pomeroy.
Bone Bells (Pyroclastic Records). Review by Bob Pomeroy.