Beach Rats
Rat Beat (Epitaph). Review by Scott Adams.
Rat Beat (Epitaph). Review by Scott Adams.
The Day The Country Died, EP/LP, From The Cradle To The Grave, Rats/Time Flies, Worlds Apart, 29:29 Split Vision (Bluurg Records). Review by Scott Adams.
Fight Before Surrender (Wounded/ Hairball 8). Review by Jen Cray.
A Top 19 list from Tom Schulte , a music journalist that dropped his pen to grab the fader.
Bats! (Tarantulas). Review by Terry Eagan.
Whose War is It (GoKart Records). Review by Terry Eagan.
Nostradamnedus (Go Kart Records). Review by Vinnie Apicella.
Ha Ha (Go-Kart). Review by Stein Haukland.
Hit And Run (Beer City). Review by Stein Haukland.
Dog Tired… And Then Some (TKO). Review by Brian Kruger.
Without Conscience (High Speed/Rhythm Vicar/ - Plastic Head). Review by Nathan T. Birk.
Interview by Holly Day
Cheerleader’s Wild Weekend, aka The Great American Girl Robbery, entered the fray in 1979 with its odd mashup of hostage drama, comedic crime caper, and good old fashioned T & A hijinks. Phil Bailey reviews the Blu-ray release.
In this latest installment of his weekly series, Christopher Long discovers and scores a secondhand vinyl copy of one of his all-time favorite LPs: 2XS (To Excess), the splendid 1982 flop from the iconic Scottish powerhouse, Nazareth.
A Murmuration of Capitalist Bees (Expert Work Records, Dipterid Records). Review by Peter Lindblad.
Author and longtime Ink 19 contributor Christopher Long kicks off the 2025 edition of his popular weekly Garage Sale Vinyl series with a bona fide banger: the blues-soaked, whisky-injected, self-titled 1971 debut record from Bonnie Raitt.
Hear My Song: The Collection, 1966 - 1995 (Madfish Music). Review by Bob Pomeroy.
Seijun Suzuki’s 1958 widescreen film noir feature, Underworld Beauty, comes to Blu-ray.
Phil Bailey reviews quirky sexploitation film Facets of Love (1973), a saucy Hong Kong costume drama from director Li Hsang-han of kung fu powerhouse Shaw Brothers, now out on Blu-ray.