Nina Simone
Little Girl Blue (BMG). Review by James Mann.
Little Girl Blue (BMG). Review by James Mann.
Without You (Estile Records) Review by Stacey Zering.
Two artists look at fathers and sons - Doug Hoekstra experiences Springsteen on Broadway.
Ella and Oscar (Riverside/Pablo). Review by Carl F Gauze.
As Carl F Gauze reports, every Mohawk and black t-shirted punk in Central Florida dropped in to pogo at the feet of Screeching Weasel and The Queers at the Hard Rock in Orlando.
Cooking With Wolves (Digitalis Recordings). Review by Matthew Moyer.
Positively (Pyrus Jazz). Review by Stein Haukland.
A Story to Cling To (Warmer Days). Review by Stein Haukland.
Everything Changes, Everything Stays the Same (Tapete Records). Review by Peter Lindblad.
Stories I Only Tell My Friends (Blackbird Records). Review by Bob Pomeroy.
Bone Bells (Pyroclastic Records). Review by Bob Pomeroy.
In this installment of his popular weekly series, Christopher Long recalls rolling up on a used record joint in Myrtle Beach where he scored a clean and quiet vinyl copy of Hermit of Mink Hollow, the 1978 masterpiece from Todd Rundgren, for just $2.
Ink 19 spoke with Brendan James to discuss the inspiration behind Chasing Light, his uniquely alluring sound, and why he makes music.
Serving as an inspirational beacon for aspiring musicians and artists — women and men alike — Beat Keepers: The Next Chapter may not be a big-budget feature, but its heartbeat is HUGE!
Let the Good Times Roll (Vegas Records). Review by Bob Pomeroy.