Pink Mountaintops
Outside Love (Jagjaguwar). Review by Matthew Moyer.
Outside Love (Jagjaguwar). Review by Matthew Moyer.
Matt Parish looks into the eyes of soul at a recent Leon Russell show.
Calling the World (Geffen). Review by Sean Slone.
Dewdrops (Livewire). Review by Aaron Shaul.
Tom Schulte delivers a healthy megadose of news and reviews in this month’s Outsight.
The Otherness (Psychobaby). Review by Rob Levy.
Was it a time warp in Carnegie Hall? Gail Worley reports on what may be the greatest tribute band of the greatest band ever.
Tom “Tearaway” Schulte calls a GG Allin performance sedate (kinda), digs Snog, suggests essential preparations for watching the horror classic Black Christmas, and much more in Outsight.
The Pinkermen Set (Rubric). Review by Ian Koss.
Star Witness (Oh Tonito!). Review by Kurt Channing.
Jools Holland’s Big Band Rhythm + Blues (Rhino). Review by Ian Koss.
Let It Come Down (Arista). Review by Randall J. Stephens.
“2001? Bah! Humbug!” says Stein Haukland. Here are the Top 19 reasons he’s glad to see the back of the year.
George Harrison died of cancer today. James Mann looks at the life and influence of “the quiet Beatle.”
The World Won’t End (Ashmont). Review by Randall Stephens.
Nina Simone (Atlanta Jazz Festival, Chastain Park, Atlanta, GA, May 26, 2000). Concert review by James Mann.
40 years on, Michael Gira and Swans continue to bring a ritualistic experience that needs to be heard in order to be believed. Featured photo by Reese Cann.
The biggest astronomical event of the decade coincides with a long overdue trip to Austin, Texas.
Sofia and Louise have just graduated nursing school. They have no idea what they’ve signed up for.
At the Showcase: Live in Chicago 1976/1977 (Jazz Detective). Review by Bob Pomeroy.
Atlantis Lullaby: The Concert in Avignon (Elemental Music). Review by Bob Pomeroy.
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.
J-Horror classic Dark Water (2002) makes the skin crawl with an unease that lasts long after the film is over. Phil Bailey reviews the new Arrow Video release.