Macabre masterpiece The House that Screamed gets a stunning Blu-ray makeover, revealing a release good enough to convert non-believers. Phil Bailey reviews.
Lady Morgan’s Vengeance, The Blancheville Monster, The Third Eye, The Witch, four lesser-known films from the golden age of Italian gothic horror, are unearthed for this creepy and impressive Blu-ray set. Phil Bailey reviews.
Back to the Woods (Dais Records). Review by Scott Adams.
Split Cassette (Rainbow Pyramid). Review by Matthew Moyer.
The Horror (Sacred Bones). Review by Matthew Moyer.
Rosenkopf (Wierd). Review by Matthew Moyer.
Far from being overly-serious and wonkish, Matthew Moyer finds Taraka and Nimai Larson (Prince Rama) to be funny, sarcastic, and in possession of minds that race from one idea to the next.
Skying (XL). Review by Matthew Moyer.
Betrayal of Hearts (Sovereign States). Review by Matthew Moyer.
When Above (Wraith Productions). Review by Matthew Moyer.
Chapin Sisters Two (Lake Bottom). Review by Matthew Moyer.
In and Out and Back Again (HoZac). Review by Matthew Moyer.
Too young to be fully cognizant of the more embarrassing excesses of Gothic music over the past twenty years, the young Turks of NYC’s own Blacklist are, perhaps unwittingly, the best hope of redeeming Goth-metal. Fresh from a European tour complete with horned hotel antics, Blacklist frontman and provocateur Josh Strawn told Ink 19 all about how he learned to stop worrying and love Motorhead and Scott Walker equally.
Wouldn’t you like to view a gallery of coroner’s photos, featuring the artistically dispatched Amanda Palmer? Matthew Moyer knows you do.
Midnight of the Century (Wierd). Review by Matthew Moyer.
From gothic siren to torch singer, Gitane Demone has been through it all. This new double-disc DVD collection chronicles the many phases and changes of her long and overlooked life and art.
Happily Ever After (Hungry Eye). Review by Matthew Moyer.
American Inquisition (Season of Mist). Review by Matthew Moyer.
Black Fortress of Opium. Review by Matthew Moyer.
In Voodoorama (Blue Disguise). Review by Aaron Shaul.
Recently on Ink 19...
During AFI Fest 2023, Lily and Generoso interviewed director Lkhagvadulam Purev-Ochir, whose impressive debut feature, City of Wind, carefully examines the juxtaposition between the identity of place and tradition against the powers of modernity in contemporary Mongolia.