Across Five Aprils
Living in the Moment (Indianola). Review by Daniel Mitchell.
Living in the Moment (Indianola). Review by Daniel Mitchell.
The Duplicated Memory (Eulogy). Review by Nick Plante.
Stories and Alibis (Epitaph). Review by Daniel Mitchell.
Evanesce (Fearless). Review by Margie Libling.
Everything Is Beautiful When You Don’t Look Down (Victory). Review by Stein Haukland.
Halldor Laxness (Victory). Review by Daniel Mitchell.
When Broken Is Easily Fixed (Victory). Review by Margie Libling.
Various Artists (Double Zero Records). Review by Daniel Mitchell.
Beggar 7” (McCarthyism). Review by Daniel Mitchell.
Enter With a Bullet (Fueled By Ramen). Review by Daniel Mitchell.
Stein Haukland talks changes, hair metal, and straight edge with Glasseater’s drummer-turned-vocalist, Julio C. Marin.
Tear From the Red (Trustkill). Review by Daniel Mitchell.
What It Is to Burn (Drive-Thru). Review by Margie Libling.
The Changing of Times (Solid State). Review by Daniel Mitchell.
We Are the Only Friends We Have (Big Wheel Recreation). Review by Margie Libling.
Carpe Diem (Revelation). Review by Daniel Mitchell.
The seminal Victory Records label has been responsible for some of the most influential and important hardcore acts of the last decade. Nathan T. Birk looks back at hardcore history with their new DVD, Victory Video Collection.
The Impossibles, with Grade, Ensign, and The Movielife at The Sapphire Supper Club in Orlando, FL on May 30, 2001. Concert review by Liza Hearon. Photos by Jen Lato.
Under the Radar (Victory). Review by Nathan T. Birk
Small-town Grand Junction, Colorado, comes out in droves to Slamming Bricks 2023, as our beloved queer community event eclipses its beginnings to command its largest audience yet. Liz Weiss reviews the performance, a bittersweet farewell both to and from the Grand Valley’s most mouthy rebel organizer, Caleb Ferganchick.
Carl F. Gauze reviews Dreamers Never Die, the loving documentary on the career of rocker extraordinaire Ronnie James Dio.
The iconic rock and roll magazine from the 1960s is back and just as relevant and snotty as ever.
This week, Christopher Long nearly fights a famed rock star in defense of his 1970s pin-up princess. To prove his point, Chris goes into his own garage and digs out his musty vinyl copy of the self-titled 1972 alt. country classic from Linda Ronstadt.
A former convict returns to London to avenge his former enemies and save his daughter. Carl F. Gauze reviews the Theater West End production of Sweeney Todd.
This week, cuddly curmudgeon Christopher Long finds himself feeling even older as he hobbles through a Florida flea market in pursuit of vinyl copies of the four infamous KISS solo albums — just in time to commemorate the set’s milestone 45th anniversary.