Tag: Hall & Oates

Year-End Record Roundup

Year-End Record Roundup

Features

Parched staff writer Christopher Long reveals the album “six-pack” that quenched his thirst best in 2022.

Yacht Rock Revue

Yacht Rock Revue

Event Reviews

Yacht Rock Revue sailed smoothly into Orlando, and Michelle Wilson climbed aboard for a light rock extravaganza.

Joe Bonamassa

Joe Bonamassa

Event Reviews

Joe Bonamassa and his mighty blues ensemble rolled into Clearwater, Florida for two nights of contemporary blues at its finest. Michelle Wilson caught Evening One of this towering blues extravaganza.

Yacht Rock Revue

Yacht Rock Revue

Event Reviews

Yacht Rock Revue’s “Hot Dads In Tight Jeans” Tour rolled into Central Florida and wowed the sold-out crowd with their tribute to ’70s and ’80s light rock hits. Michelle Wilson was there and loved every minute!

The xx

The xx

Music Reviews

I See You (Young Turks). Review by Jen Cray.

Mayer Hawthorne

Event Reviews

Mayer Hawthorne and The Stepkids bring the white guy soul funk to Orlando, and Jared Campbell explodes (in more ways than one).

Butch Walker

Music Reviews

Sycamore Meadows (Original Signal Recordings/Power Ballad). Review by Christopher Long.

Seksu Roba

Music Reviews

Pleasure Vibrations (eenie meenie). Review by Ben “We have Moog synthisizers. We could kill you from here.” Varkentine.

Koufax

Interviews

Daniel Mitchell discusses Nair, tennis, and Indian food with Rob Suchan of Koufax.

The Incredible Moses Leroy

Interviews

Ron Fountenberry’s eclectic, hooky pop music more than lives up to his ostentatious-sounding alias. Julio Diaz talks stage names, fashion, and music biz politics with The Incredible Moses Leroy.

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The House that Screamed

The House that Screamed

Screen Reviews

Macabre masterpiece The House that Screamed gets a stunning Blu-ray makeover, revealing a release good enough to convert non-believers. Phil Bailey reviews.

As You Like It

As You Like It

Event Reviews

Carl F. Gauze reviews his second As You Like It in three days, the latest a candy-colored complexity from Rollins College’s Annie Russell Theatre.