Begone, foul year
Let’s leave 2020 in our rearview, shall we?
Let’s leave 2020 in our rearview, shall we?
Goddess (Modular Fields). Review by Carl F Gauze.
Compass (Nonplace). Review by Carl F Gauze.
It was a night of metal and moshing in the sold-out House of Blues, with Motörhead and Anthrax in town. Carl F Gauze elbowed his way through the madness.
Heaven’s End/ Fade Out/ The World In Your Eyes/ A Gilded Eternity (Reactor/Revolver). Review by Matthew Moyer.
Rosenkopf (Wierd). Review by Matthew Moyer.
Coconut (Domino). Review by Carl F Gauze.
Hawkwind Triad (Neurot). Review by Matthew Moyer.
Dead EP (Thrill Jockey Records). Review by Carl F Gauze.
Spirited Migration (At A Loss Recordings). Review by Matthew Moyer.
Plastic Crimewave Sound (Prophase Music). Review by Carl F Gauze.
Inferno (Sanctuary Records). Review by Matthew Moyer.
Tomorrow Waits (Cur on a Glider). Review by James Mann.
New Geocentric World (Squealer). Review by Matthew Moyer.
“I was fired from every band I was in before, so the only way I can think of to not get fired was form my own band.” So says Lemmy Kilmister of the legndary Motšrhead, as he talked 25 years of rock n’ roll with Matt Thompson.
Blood, guts, and kicking butt in France — it’s the age-old story of Shakespeare. Carl F. Gauze once again enjoys the salacious violence and complicated plot points of Henry V, in the moody dark of Orlando Shakes.
Infidelity, agoraphobia and Ice Capades. Carl F. Gauze attempts to find an answer to the question “How Florida can you get?” in The Great American Trailer Park Musical at Theater West End.
Jeremy Glazier catches Ian Noe at the Rust Belt, where they discuss putting Between the Country together, some of the influences that affect Noe’s songwriting, and his dislike of EPs.
Christopher Long scores an absolutely ravaged vinyl copy of the 1977 self-titled debut from Karla Bonoff at a Florida flea market — for FREE!
Carl F. Gauze reviews this comprehensive look at the early works of Muppets creator Jim Henson by Craig Shemin.
Robert Pomeroy tracks down a long lost album on the web and catches up with two other bands on Facebook.
On today’s New Music Now, Judy Craddock talks to our musical guest, Nora O’Connor, about her solo album, My Heart, and the captivating new music she’s listening to right now. Tune in for great music, and more ’90s references than you can shake a scrunchie at.
Writer Kazuo Kasahara and director Kôsaku Yamashita transcend genre conventions to create the memorable film Big Time Gambling Boss. Phil Bailey reviews.
Frank Bello’s new memoir Fathers, Brothers, and Sons: Surviving Anguish, Abandonment, and Anthrax takes us from a New York childhood, to Anthrax stadium tours, to fatherhood with the charming informality of a conversation with an old friend. Then I’m Gone, Bello’s first solo EP, provides accompaniment. Joe Frietze reviews.
Savvy shopper Christopher Long scores a dodgy-looking copy of the Crosby, Stills, Nash & Young classic, Déjà Vu, on fairly decent-sounding vinyl — for just 50¢.
Carl F. Gauze caught a certain trio of android warrior sisters at the Enzian’s Robotica Destructiva premiere.
Brevard County showed their support for music in the community as nearly five thousand people attended the 2022 Space Coast Music Festival.