Chet Baker
The Best of Chet Baker (Riverside). Review by Matthew Moyer.
The Best of Chet Baker (Riverside). Review by Matthew Moyer.
Shelton Hull finds there is much to learn in this collection of conversations with the enigmatic and innovative trumpeter, not nearly as reticient with interviewers as legend has it.
Johnny Thunders’ last concert has been preserved for posterity in this new concert DVD. Then why does it look like a Barbara Walters special? Matthew Moyer explains.
Daniel Mitchell discuss “Art Food” with Gared O’Donnell of Planes Mistaken For Stars…
We’ll Make the Roads by Walking (Alone). Review by Daniel Mitchell.
Disinformation Fix 2XCD (Alone). Review by Daniel Mitchell.
Gem of Masochism (Three One G). Review by Daniel Mitchell.
Devil’s Egg EP (No Idea). Review by Daniel Mitchell.
Vs. The Curse (Sabot). Review by Daniel Mitchell.
Vs. The Curse (Sabot). Review by Daniel Mitchell.
Bob Pomeroy gets into four Radio Rarities from producer Zev Feldman for Record Store Day with great jazz recordings from Wes Montgomery, Les McCann, Cal Tjader, and Ahmad Jamal.
Bob Pomeroy digs into Un “Sung Stories” (1986, Liberation Hall), Blasters’ frontman Phil Alvin’s American Roots collaboration with Sun Ra and his Arkestra, the Dirty Dozen Brass Band, and New Orleans saxman Lee Allen.
Roi J. Tamkin reviews A Darker Shade of Noir, fifteen new stories from women writers completely familiar with the horrors of owning a body in a patriarchal society, edited by Joyce Carol Oates.
Mandatory: The Best of The Blasters (Liberation Hall). Review by Bob Pomeroy.
Feeling funky this week, Christopher Long gets his groove on while discovering a well-cared-for used vinyl copy of one of his all-time R&B faves: Ice Cream Castle, the classic 1984 LP from The Time, for just a couple of bucks.
During AFI Fest 2023, Lily and Generoso interviewed director Lkhagvadulam Purev-Ochir, whose impressive debut feature, City of Wind, carefully examines the juxtaposition between the identity of place and tradition against the powers of modernity in contemporary Mongolia.
Juliana Hatfield Sings ELO (American Laundromat Records). Review by Laura Pontillo.
Ever-focused on finding (affordable) vinyl treasures, Christopher Long returns this week with his latest gem — a reasonably well-cared-for LP copy of The Glow, the 1979 studio classic from Bonnie Raitt.