Volcanova
Radical Waves (The Sign Records). Review by Carl F. Gauze.
Radical Waves (The Sign Records). Review by Carl F. Gauze.
Two men compete to be the first to contribute a male member to the Icelandic Phallological Museum, and Carl F Gauze is somewhere between unsettled and mesmerized.
Bobby Fischer defeats the Soviets at their own game, and then goes bat-shit crazy. Pretty impressive for a nerdy boy from Brooklyn.
Innundir Skinni (One Little Indian). Review by Carl F Gauze.
Kurr (Ever). Review by Aaron Shaul.
Any Way She Wants It EP (Lucid). Review by Aaron Shaul.
Down and dirty with Global Underground mainstay Nick Warren. Dan Stapleton mixes it up short and sweet.
A highly subjective listing of 19 things from 2002 that stuck in Bob Pomeroy’s head and would not leave even when asked politely.
( ) (MCA). Review by Chad Perman.
Iceland (Loveless). Review by Terry Eagan.
Twenty-three years after his Sonic Recipe for Love, Steve Stav writes a playlist for the brokenhearted victims of another corporate holiday: the first Valentine’s Day of the second Trump era.
Phil Bailey reviews Rampo Noir, a four part, surreal horror anthology film based on the works of Japan’s horror legend, Edogawa Rampo.
In this latest installment of his popular weekly series, Christopher Long finds himself dumpster diving at a groovy music joint in Oklahoma City, where he scores a bagful of treasure for UNDER $20 — including a well-cared-for $3 vinyl copy of Life for the Taking, the platinum-selling 1978 sophomore set from Eddie Money.
Ink 19’s Liz Weiss spends an intimate evening with Gregory Alan Isakov.
Sharon Van Etten & The Attachment Theory (Jagjaguwar). Review by Peter Lindblad.
This week, Christopher Long goes “gaga” over discovering an ’80s treasure: an OG vinyl copy of Spring Session M, the timeless 1982 classic from Missing Persons — for just six bucks!
Both bold experiment and colossal failure in the 1960s, Esperanto language art house horror film Incubus returns with pre-_Star Trek_ William Shatner to claim a perhaps more serious audience.
You Can’t Tell Me I’m Not What I Used To Be (North & Left Records). Review by Randy Radic.